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Perhaps Abbott picked the wrong play, or at least the wrong author: O'Casey's prickly-pear mixture of the gay and the grim, the heartless and the sentimental is often awkward enough. But, then, Richard III is no pip and Abbott did well enough by that, and with, generally speaking, a much less effective cast. Lynn Milgrim, the Juno of this Juno, for instance, could not be better: business-like in her work, gruff in her joy, searing in her grief. Patricia Fay is an honest, spirited Mary Boyle, at once demure and uncompromising. Sheila Forde who appears briefly...

Author: By Anthony Hiss, | Title: Juno and the Paycock | 3/22/1963 | See Source »

...temptation (Suzanne Pleshette) comes slithering into his Eveless Eden. He resists. But after temptation comes responsibility (Claire Wilcox). He can't resist. How could any redblooded, blue-eyed, squarejawed, caramel-centered American male resist a darling little five-year-old girl abandoned by her heartless father in the lobby of a gambling casino; abandoned without a Mr. Goodbar to her name, without so much as a nickel for a Nab in her pretty little purple plastic pocketbook; abandoned in a lobby without a Coke machine, without a drinking fountain, without even a television set-and only seven minutes left...

Author: /time Magazine | Title: Cinema: Ambition Is Almost Enough | 2/8/1963 | See Source »

...both his paintings and prints, his women are often shown as heartless temptresses, vampires, even assassins, the undoers of men. Munch did a number of works called Jealousy, in which the man is always the one betrayed. What is so nightmarish about these pictures is not the harlotry of the woman, but the helpless humiliation of the male...

Author: /time Magazine | Title: Art: The Black Angels | 1/4/1963 | See Source »

...television season is a heartless voyage captained by fast-buccaneers. Last week, scarcely out of port, the following shows were set up on the plank and told to start walking...

Author: /time Magazine | Title: Television: On the Plank | 12/7/1962 | See Source »

...Misanthrope," with a lavish set in baroque style by scene-designer Horace Armistead and seventeenth-century costumes by Lewis Smith, features Petee Haskell as the disillusioned Alceste. Lucy Stone plays the beautiful and heartless Celimene with Joanne Hamlin as Arsinoe and Lynn Millgrim as Eliante. Paul Barstow performs as the misanthrope's friend, Philinte, and Samuel Abbot as the sonnet-writing Oronte. David Cole and Harry Smith are cast as the court fops, Clitandre and Acaste...

Author: NO WRITER ATTRIBUTED | Title: "MISANTHROPE" AT LOEB | 8/9/1962 | See Source »

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