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...ultimate back-story, and the heart of the movie, as it should be, is the love story between Kirk and Spock. It's a tumultuous affair, full of insults ("Who was that pointy-eared bastard?"), jealousy and even an expulsion from the Enterprise. It's a good thing that we already know that they live long, prosper - and bicker - together for years to come...

Author: /time Magazine | Title: The New Star Trek Movie: It Will Leave Fans Beaming | 5/6/2009 | See Source »

...Wall Street Journal suggests that B of A may hold a special place in the government's heart because it bought Countrywide and Merrill Lynch at times when a public bailout of those companies could have caused the credit system angina. With Congress and watchdog agencies watching how the Treasury and Fed are using their thinning cash reserves, B of A will not be getting any sympathy or special dispensations from regulators...

Author: /time Magazine | Title: Bank of America Needs to Play Its Merrill Card | 5/6/2009 | See Source »

...court of public opinion. B of A's CEO Ken Lewis has already made the case the Henry Paulson virtually forced him to close the Merrill deal because it was in the best interests of the country's troubled financial system. If that transaction is at the heart of B of A's capital shortfall, the firm has a legitimate argument that because it helped the government when it was in a jam, it is time for the government to repay the favor...

Author: /time Magazine | Title: Bank of America Needs to Play Its Merrill Card | 5/6/2009 | See Source »

University President Drew G. Faust—who cited illness on Sunday when she missed the town hall meeting for the Undergraduate Council—took the message to heart and refused to make contact with professors receiving honorary A.M. degrees from the University at yesterday’s meeting...

Author: By Bonnie J. Kavoussi and Esther I. Yi, CRIMSON STAFF WRITERSS | Title: Faust Heeds Flu Precautions | 5/5/2009 | See Source »

...looking to collect Luntz’s head; a shootout. That’s what readers get—and that’s all.As homage, “Nobody Move” never rises beyond pale imitation. It’s clear that Johnson knows the tropes by heart. The problem is that everyone else does too. The pleasure of homage, especially with a genre like noir, is in the author’s personal touches. Cormac McCarthy’s “No Country for Old Men” comes immediately to mind—move...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Johnson Does Noir | 5/5/2009 | See Source »

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