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However, Goodman’s sources betray the murkier moral landscape of the era of high imperialism—the book’s subtitle, “One Man’s Battle for Human Rights in South America’s Heart of Darkness,” makes explicit allusion to Joseph Conrad’s famous novella, especially apt given the fact that Conrad and Casement met in 1889 in the Congo Free State. Casement’s own description of Arana recalls “the unseen presence of victorious corruption” that Marlow senses...

Author: By Grace E. Jackson, CONTRIBUTING WRITER | Title: Goodman's Detailed 'Devil' | 2/17/2010 | See Source »

...realm of adaptation into its own imagined ground. His sentences, brawny and lithe, add their own muscle to Homer’s verse. “When he was drunk, Achilles would take his knife and try to pierce his hand, or, if he was very drunk, his heart, and thereby were the delicate blades of many daggers broken,” he writes of the reckless hero...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Mason Reinvents Homer’s ‘Odyssey’ in ‘The Lost Books’ | 2/17/2010 | See Source »

...essay “Why Read the Classics?” Calvino once wrote, “A classic is a book which with each rereading offers as much a sense of discovery as the first reading.” Mason’s reimagining takes such discovery to heart. He himself may be aware of the similarities between his and the Italian author’s work. Many of his plot twists recall Calvino’s own piece, “The Odysseys Within ‘The Odyssey,’” which opens...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Mason Reinvents Homer’s ‘Odyssey’ in ‘The Lost Books’ | 2/17/2010 | See Source »

...lost the use of my heart / But I’m still alive,” sings Sade Adu on the titular track from “Soldier of Love,” Sade’s first album since 2000. For an impressively constructed album based on and made for “love,” this line seems more of a curious apology from the band than a testament to love from a wayward lover...

Author: By Benjamin Naddaff-Hafrey, CRIMSON STAFF WRITER | Title: Sade | 2/17/2010 | See Source »

...feel—it’s hard to imagine human beings creating this record. This is particularly problematic seeing as “Soldier of Love” eschews pure electronica and trip-hop for more traditional instrumentation—guitar, piano, drums and bass are at the heart of the record—which would intuitively present a more natural and human presence. This lack of feeling is not helped by the fact that Sade write obvious, vacuous shells of songs and then attempt to save them through intricate production which, while impressive, only serves to increase...

Author: By Benjamin Naddaff-Hafrey, CRIMSON STAFF WRITER | Title: Sade | 2/17/2010 | See Source »

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