Word: heartly
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...persona Refn manifests in Peterson and, more subtly, Refn himself, and “Bronson” offers a much more sensible portrait of the artist than it ever does of its subject. But ambitions at auto-portraiture aside, “Bronson” is, at its heart, a deeply engaging character study that suggests this man may be more (or less) than, but never equal to, the sum of his parts...
...Assassin,” Mayer compares his failing relationship to a “Mr. and Mrs. Smith” dynamic, singing, “I was a killer / Was the best they’d ever seen / I’d steal your heart / Before you ever heard a thing / I’m an assassin and I had a job to do / Little did I know that girl was an assassin too.” Mayer’s knack for dissecting the nuances of relationships ultimately make his narratives far more captivating this time around...
...always touched heavily upon heartbreak in his songs, “Battle Studies” arrives on the heels of a very public romance with Jennifer Aniston and a raised celebrity profile. He implements a much more pensive, gloomy tone on this album, aiming to speak from the heart rather than the tabloids. Instead of father-daughter relationships and inescapable forces of nature, he sings of bombs, killers, and arson, all of which serve as metaphors for his lovelorn misadventures...
...with its simple guitar strumming, melancholy strings, and stunning vocal harmonies, is the album’s clear standout, sounding like the best ’70s soft rock gem never written. “Do You Know Me” and “Half Of My Heart,” a duet with country-pop it-girl Taylor Swift, surround guitar melodies with light atmospherics and layered vocals, while “Friends, Lovers Or Nothing,” “Perfectly Lonely,” and the admittedly out-of-place cover of Robert Johnson...
...heart of the Cambridge folk scene sat Club 47, known these days as Club Passim. Thomas W. Rush ’63, Harvard alum and notable folk musician who came out of the Cambridge revival of the 60s, called it the “flagship of the fleet.” Club 47 boasted an impressive list of past performers including, among others, Joan Baez, Jackie Washington, the Charles River Valley Boys, the Jug Band, and Jim Kweskin. Many of these premier folk musicians played gigs at Club 47 during the year and then congregated at the Newport Folk Festival...