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Word: heathcliffs (lookup in dictionary) (lookup stats)
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...writing, although not even his ex-writing partner ever sniveled so stereophonically as Lennon as he serenades his flower princess. Ono does display a neat flash of wit in her final song: "In the world's eye/ We were Laurel and Hardy/ In our minds/ We were Heathcliff and Cathy." But hagiography, even half comic, like this, should be resisted. Sentiment might make that hard. But Milk and Honey makes it a cinch. -By Jay Cocks

Author: /time Magazine | Title: Music: Last Songs | 1/30/1984 | See Source »

Revisited) turns Henry into a matinee idol, and will doubtless do the same for himself. Karel Reisz, Irons' director on the film The French Lieutenant's Woman, remarked that "Jeremy does have his Heathcliff side." Already, matrons from Manasquan to Massapequa are aswoon over Broadway's newest star...

Author: /time Magazine | Title: Theater: Stoppard in the Name of Love | 1/16/1984 | See Source »

...grand master of surreptitious sophistication who is portrayed in the Italian press as brooding, moody, uncommunicative and withdrawn-a Heathcliff with Magic Markers-Armani sets a fast pace and a high level of good humor and good will with his 26 employees. A trim, quick figure of medium height, with cobalt eyes, he is all compacted energy, like a jack just popping from his box, as he shows up for work around 9. He may begin his twelve-hour day by doing sketches, while his staff sorts out a regimen that, typically, has no rigid schedules or fixed appointments. Buyers...

Author: /time Magazine | Title: Giorgio Armani: Suiting Up For Easy Street | 4/5/1982 | See Source »

...writing in response to your cover story on cats [Dec. 7]. Nowhere was reference made to the most famous, fabulous feline cartoon character, Heathcliff. A cat as distinguished as he is deserves at least a mention. For Heathcliff lovers, I hope some recognition will be given to this very popular hero...

Author: /time Magazine | Title: Letters: Feb. 1, 1982 | 2/1/1982 | See Source »

...himself to be a lovesick and slightly wrathful admirer of Marianna, played with calculated flirtatiousness by Sheelagh Gilby. Indeed, in his last scenes, Marion becomes truly tender as he reaches out to Marianna, scowling jealously at those who try to prevent the match. Thomas tries to fashion a Victorian Heathcliff--a wrathful and passionate lover--from the bare bones of a ghostly glare and tragic family secret. But rather than a monster, Thomas has created a pathetic man who earns the hesitant sympathy of the audience...

Author: By Leigh A. Jackson, | Title: Being and Nothingness | 11/4/1981 | See Source »

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