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...from the fox-hunting functionary who controls the movement of the hounds and is called the whipperin. In the House of Commons the majority chief whip enjoys an extremely close relationship with the Prime Minister. The chief whip is also frequently the party official in charge of patronage. Edward Heath used this post under Harold Macmillan as a steppingstone to the Tory leadership...

Author: /time Magazine | Title: THE ASCENT OF TED KENNEDY | 1/10/1969 | See Source »

Other executive changes further underscored the policy shift. To succeed Gott as president, the board picked his longtime ally and fellow production specialist, Executive Vice President Edgar B. Speer, 52. Another executive vice president, R. Heath Larry, a lawyer and Blough protege who has long been considered his heir apparent, had to settle for the post of vice chairman. At 54, Larry is still young enough to have a shot at the top job later...

Author: /time Magazine | Title: Corporations: A New Boss for Big Steel | 12/27/1968 | See Source »

...gentleness. His conscience burned aghast at the stupidity of conflict while at the same time luxuriated in stout goodwill. While most comfortable in small forms, Holst also created large works such as the Hymn to Jesus, the opera Savitri, the cinematic Planets, and the sombre tone poem Egdon Heath. The Ensemble was less successful with this work, but the excellence of the brass choir, which played with solar brightness, was the best I have heard all year...

Author: By Chris Rochester, | Title: Wind Ensemble | 12/19/1968 | See Source »

...Supplicationes for main chorus and responsive small choir (which joined me in the Tibetan heights of the upper balcony) and proceeded to good performances of Holst's delightful Blacksmith Song and Dowland's beautiful Come Again, Sweet Love. Their part closed with a stupendously tedious arrangement by Fenno Heath of Donne's Death Be Not Proud. The Harvard Glee Club performed a less interesting program except for a mildly "modern" work by Thomas Beveridge. The Harvard group had a darker sound than Yale, better dynamic control, weaker top tenors, better phrasing, and better comic relief in the form...

Author: By Chris Rotchester, | Title: Zarathustra | 11/25/1968 | See Source »

...that. He is more like Job than Jove. When he hurls his anathemas, he tends to scream unintelligibly, suggesting the hapless actor of whom Kenneth Tynan wrote that listening to his Lear "was like lip reading Shakespeare by flashes of lightning." But during the storm on the heath, Cobb's Lear gains in compassionate wisdom what he loses in pride and sanity. As he shelters the shivering Fool, listens to the gibberings of mad Tom and later gazes into the bloody, eyeless face of Gloucester, Lear sheds his vanity and learns of his oneness with "unaccommodated man . . . such a poor...

Author: /time Magazine | Title: Repertory: As Flies to Wanton Boys | 11/15/1968 | See Source »

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