Search Details

Word: heaths (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

This year's concert was exemplary on all counts. The light pieces, such as the folk-song arrangements, were not trivial. The modern works showed effective vocal writing, especially Abraham Lincoln Walks at Midnight by Fenno Heath, conductor of the Yale Glee Club. The selections from Mozart's Zauberflote provided music which was almost so profound as to be out of place. And there were, of course, the football songs, about which any commentary would be superfluous, if not sacrilegious...

Author: By Paul A. Buttenwieser, | Title: Yale-Harvard Glee Clubs | 11/24/1958 | See Source »

Besides the consistently polished singing by both choruses, there were two individual performances of unusually high quality. The first was a very moving solo by John A. Maxim, Jr. in the Heath work, and the other was Thomas Beveridge's simple yet eloquent reading of Mozart's "O Isis Und Osiris." Also worthy of note was the conducting of Fenno Heath, whose clarity and control were remarkable...

Author: By Paul A. Buttenwieser, | Title: Yale-Harvard Glee Clubs | 11/24/1958 | See Source »

ALOISE BUCKLEY HEATH West Hartford, Conn...

Author: /time Magazine | Title: Letters, Nov. 10, 1958 | 11/10/1958 | See Source »

...windswept, heath-covered hilltops of Sardinia stand the remains of more than 6,000 cunningly contrived towers shaped like truncated cones. Built of squared volcanic rock, without mortar, these fortress towers, called nuraghi, range back to the time of ancient Troy, were in use until the culture of the Sards was finally smothered by Roman legions in the 3rd century B.C. Often fire-blackened on top. they may have served for signal fires, funeral pyres or simply strong points of repair for the fierce, feuding warrior clans. In the rubble at the base of the towers Sardinian archeologists have found...

Author: /time Magazine | Title: Art: A CULTURE IN MINIATURE | 6/9/1958 | See Source »

...Eugene Gervasi's Fool. Gervasi's every moment was tremendously stylized, to the point where he seemed to have rehearsed in someone else's production. But he spoke better than most, and his mournful grace made a good foil for Lear's frenzy. Only in the scene on the heath did his method fail...

Author: By Daniel Field, | Title: King Lear | 4/18/1958 | See Source »

Previous | 230 | 231 | 232 | 233 | 234 | 235 | 236 | 237 | 238 | 239 | 240 | 241 | 242 | 243 | 244 | 245 | 246 | 247 | 248 | 249 | 250 | Next