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...CONGRESS ISN'T LIKELY to approve reparations for black people--not this Congress, anyway--but, just now, pop culture has fallen in love with the idea. In movies, the critically laureled Far from Heaven has a restless '50s housewife fall in love with her noble black gardener. On Broadway, the musical Hairspray is wowing 'em with its perky parable of interracial love set at a teen dance party in 1962 Baltimore. On TV, NBC's American Dreams makes Dick Clark's Bandstand a focus for the conflicted feelings whites in Philadelphia had for blacks circa...

Author: /time Magazine | Title: Media Watch: Flashbacks in Black and White | 1/13/2003 | See Source »

...FROM HEAVEN. The most versatile actress currently making movies, Julianne Moore’s performance in Far from Heaven ranks among her very best. Her poised, compassionate 50s housewife, Cathy Whitaker, makes Donna Reed look like Medea—until she finds her husband making out with another man and herself falling in love with the African American gardener. As her reputation and family life shatter, Moore’s prim mother strains admirably and pathetically to keep herself going. Her character’s pristine married life behind her, the concluding expression on Moore’s face...

Author: By Crimson Arts, | Title: HAPPENING - Jan. 10 to Jan. 17 | 1/10/2003 | See Source »

...dead-girl motif surfaced most poetically in publishing's surprise sensation of the year, Alice Sebold's The Lovely Bones. In its bravura opening, the narrator, Susie Salmon, lucidly describes her brutal rape-murder at age 14, then goes on (telling the story from heaven) to show us the slow journey of her family and friends to recover from her loss. (This is not only a 2002 phenomenon, of course. The Sixth Sense and Crossing Over with John Edward both indulged our need to believe that our lost ones are still aware and, more important, still aware of us.) Women...

Author: /time Magazine | Title: Movies: The Big Fat Year in Culture | 12/30/2002 | See Source »

...from an old Elbert Hubbard essay, which Rowley received from a number of retired agents. A paraphrased version of Hub-bard's words used to hang on the walls of FBI headquarters while J. Edgar Hoover was director. It read, in part: "If you work for a man, in heaven's name work for him; speak well of him and stand by the institution he represents. Remember--an ounce of loyalty is worth a pound of cleverness ... If you must growl, condemn, and eternally find fault, why--resign your position and when you are on the outside, damn to your...

Author: /time Magazine | Title: Coleen Rowley: The Special Agent | 12/30/2002 | See Source »

...Cheneys have created one of the city's only salons, a voluntary activity you wouldn't expect from a man whose idea of heaven is fly-fishing in silence. About every six weeks, the Cheneys invite 16 scholars, artists and authors for dinner. Lynne kicks off the discussion but is aware the group doesn't need much help, since there are few shrinking violets. "Smart people are naturally funny and clever." The Cheneys spend some nights at official events, like the Kennedy Center Honors, other nights eating off trays in the den and a surprising number of nights casually...

Author: /time Magazine | Title: Why Lynne Cheney Keeps Her Voice Down | 12/30/2002 | See Source »

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