Word: heavyweights
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Dates: during 2000-2009
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...We’ve had a great preseason,” junior heavyweight Andrew Knapp said. “Now we’re just excited to get started...
...after the Chinese men's doubles pair lost to an Indonesian squad, Lin was ready to reclaim national pride. He loped into the Beijing University of Technology gymnasium like a heavyweight prizefighter looking for trouble. Lee, who had previously expressed nervousness about competing against a national hero, stood no chance. The crowd mercilessly booed the Malaysian, while a troupe of Chinese cheerleaders dressed in skimpy ethnic-minority costumes whipped the audience into a frenzy. It was the kind of atmosphere one might imagine at the deciding game of an NBA final, but this was badminton Chinese style...
...October. Canada's Team had repelled a Yank assault to cruise to its American League East title. The Braves had staged one of the sport's come-from-behind astonishments to nip the San Francisco Giants on the last day of the season. This year all that separated the heavyweight champ and the top contender from their inevitable rematch were exhibition bouts against unranked palookas: the Chicago White Sox and the Philadelphia Phillies. No contest. The challengers would be, in boxing parlance, moiderized. And indeed, Toronto, spurred by starting pitcher Juan Guzman, laundered the Sox in six sleepy games...
...cynic about these guys who cross their arms when they sing," Soundgarden's Kim Thayil says of the first time he heard Vedder sing in a Seattle club. "But there were songs that Eddie sang that sent shivers up my spine." Pearl Jam cemented its reputation as a heavyweight contender in August at the MTV Music Video Awards, where the band won four awards, including best video of the year for Jeremy, and joined Neil Young for a stirring version of his song Rockin' in the Free World...
...read fiction are a thriving business. This summer also brings us Thomas C. Foster on How to Read Novels Like a Professor (Harper; 304 pages) and John Mullan on How Novels Work (Oxford; 346 pages), though Wood, as a book critic for the New Yorker, is the heavyweight of the field. These books fall into the curious netherworld of extra-academic literary theory. They are the last, depleted descendants of what used to be called aesthetics, the branch of philosophy that theorized the human response to works of art. For most intents and purposes, aesthetics collapsed in 1970 under...