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...said. “Being a kid, there were all those movies out—‘Red Dawn,’ ‘Red Hampster,’ ‘Red German.’ Kids hated all things Russian. At my Hebrew School in Queens, I pretty ironically introduced myself as being from Berlin.” Like Shteyngart, Misha wishes for detachment from Russia, so when his visa to return to America is denied because of his father’s illegal activities, he travels to Absurdistan, a place Shteyngart describes...

Author: By Kimberly B. Kargman, CONTRIBUTING WRITER | Title: Shteyngart Tells of Real-Life Absurdity | 4/20/2007 | See Source »

...Long, long ago, when wrestling was still covered in the sports section, one of its more compelling figures was the beefy Polish-born fighter Abe Coleman. At 5 ft. 3 in. and 200 lbs., the man dubbed the Hebrew Hercules fought such he-men of the 1930s as George Temple (Shirley's brother) and the 465-lb. Man Mountain Dean, whom the agile Coleman once lifted in the air before the pair crashed through the ring. Among Coleman's moves: the airplane spin, the flying head butt and his trademark "kangaroo kick"--an assault on an opponent's jaw that...

Author: /time Magazine | Title: Milestones Apr. 16, 2007 | 4/5/2007 | See Source »

...fiction has won Keret plaudits and fame. Missing Kissinger, his breakthrough book, came out in 1994 (published in the U.K. and the U.S. this March, most of the stories here appear for the first time in English). It was chosen as one of the 50 most important works in Hebrew by the daily newspaper Yedioth Ahronoth, and is on the Israeli high school syllabus. Keret now pens caustic satirical sketches for Israeli TV, has published a series of comic books and won Israel's equivalent of a Best Picture Oscar for Skin Deep, a movie he co-directed. He also...

Author: /time Magazine | Title: Surreal Israel. Etgar Keret's stories plumb the strange side of the Holy Land | 4/3/2007 | See Source »

With a pair of conspicuous flags—one American, the other Israeli—at the back of the small round stage and masses of plastic chairs arranged in the auditorium, Broza’s concert of Hebrew, Spanish, and English folk music threatened to swallow itself in maudlin tokenism. The Caucus gave Broza an ominously exoticizing introduction: “We want to give you a taste of what Israel is all about.” Fortunately, Broza, a disarmingly charismatic performer, proved that he and his acoustic guitar have universal appeal—although a little knowledge...

Author: By Daniel B. Howell, CONTRIBUTING WRITER | Title: ARTSMONDAY: Broza Brings Art to KSG | 3/23/2007 | See Source »

...have as much faith in his writing skills as in his musicianship. Of course, good poetry doesn’t always make good lyrics, and the lyrics he chooses (at least in Spanish and English—I can’t speak to his selection of Hebrew lyrics) often show the kind of over-wrought balladeering that is endemic to folk music. To try to give you an idea, a sizeable chunk of his songs are in alternating quatrains; the hook to one song is, “Somebody make me laugh, / Somebody make me cry, / Somebody tell...

Author: By Daniel B. Howell, CONTRIBUTING WRITER | Title: ARTSMONDAY: Broza Brings Art to KSG | 3/23/2007 | See Source »

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