Word: hecht
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Dates: during 1970-1979
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...deep trouble in the emergent nation of Kambawe. The dictator, President Mageeba (Clarence Williams III), is toughing it out with a rival faction. Three newshounds converge on the opulent, isolated home of Geoffrey Carson (Joseph Maher), a British businessman with the most mines to lose. Dick Wagner (Paul Hecht) is a hardbitten Aussie, and a staunch unionist with a habit of regarding the Daily Globe, his paper, as larger than the earthly one. He is visibly miffed to find that an idealistic fledgling staff writer, Jacob Milne (Peter Evans), has scored a beat on him by interviewing the rebel leader...
There are two exceptions. Lynne Sharon Schwartz's Rough Strife is a shrewd and sensitively contoured exploration of young marriage and pregnancy. It appears in both the O. Henry and Best collections. Julie Hecht's I Want You, I Need You, I Love You is a stylishly intelligent and deceptively lighthearted evocation of a woman's fantasies about Elvis Presley. Hecht strikes the right balance of irony, nostalgia and affection for a time when Presley and the short story itself were still in full bloom...
...Hecht '80, another staff member, said yesterday she is pleased with the first issue even though it focuses more on political issues, such as nuclear power, than the staff had intended...
Natalya (Tammy Grimes) is a brittle, self-centered wife. Consumed by ennui, she finds her estate-owning hus band Arkadi (Robert Symonds) a total bore. She whiles away the lazy hours with a sophisticated neighbor, Rakitin (Paul Hecht), whose one-man-talk show masks the desire he feels for her. A coltishly appealing young man named Aleksei (Mark Lamos) is brought in to tutor Natalya's son. One look at him and Natalya half falls, half dives into the vortex of love...
...Girl Friday. Of the two Howard Hawks pictures playing around this weekend, this is the equally triumphant. In his man's world, Hawks and his screenwriter Charles Lederer twisted the tension in Hecht and MacArthur's wildman farce "The Front Page" by turning Hildy Johnson into a woman, and one who was trying to excise herself from the male society she had tailored herself into. She can't do it. Hecht and MacArthur's play proved that it was not indestructable when Billy Wilder made it move like a sludge barge. "His Girl Friday" is louder and faster than...