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...used to think that war was Henry Fonda shooting it out behind a water trough on a dusty Wyoming street. Or Achilles chasing Hector around Troy. So the only way that I have been able to understand the war in Vietnam is to pretend, each time a GI or a Vietnamese died, that it was my brother or my father or my mother that died. By now over a million Vietnamese have been killed and probably 80 thousand Americans. If all of us felt even a little bit of that in our stomachs, not even all of America could digest...

Author: By Richard E. Hyland, | Title: Learning From the Vietnamese | 6/29/1970 | See Source »

...used to think that war was Henry Fonda shooting it out behind a water trough on a dusty Wvoming street. Or Achilles chasing Hector around Troy. So the only way that I have been able to understand the war in Vietnam is to pretend, each time a GI or a Vietnamese died, that it was my brother or my father or my mother that died. By now over a million Viet-????? 80 thousand Americans. If all of us felt even a little bit of that in our stomachs, not even all of America could digest that much sorrow...

Author: By Richard E. Hyland, | Title: From the Vietnamese We'll Have to Learn To Create a Society In Which To Live | 6/11/1970 | See Source »

...vigorous prosecution of an irreversible war. That war is stark violence. Does this begin to sound compellingly relevant? As litility devours reason, the Renaissance heroic ideal of wise action becomes food for unheroic savagery. Troilus eats up reason in seeking honor as "the wide world's revenue." Hector dimly sees that appealing to infinite abstractions may insensibly transform public standards into an anarchy of private regard. The genuine anarchy, therefore, is not individual protestation, but the criminal exhortation for "unity of State under the insubstantial banner of familiar, unarguable infinitudes without merit, meaning, or measure. Heroic action is just criminal...

Author: By M. CHRIS Rochester, | Title: Antony and Cleopatra and Others (This is the second part of a two-part feature.) | 5/8/1970 | See Source »

...past, it says, competent researchers have been discouraged from entering the field by the taboos that surround it-and by the difficulties of obtaining research funds. Other key points: teachers and youth-group counselors should be better informed about homosexuality so that they can help rather than hector the young; law officers should be given facts to set against their irrational feelings. "Disgust and anxiety interfere with an objective understanding of the problem, and could be prevented or alleviated if valid information about homosexuality were disseminated," the report says. Among the homosexuals, "it is important to counteract the prevalent sense...

Author: /time Magazine | Title: Homosexuality: Coming to Terms | 10/24/1969 | See Source »

Luckily for Yamash'ta and his fellow kitchen chefs, there is more creative music around for the forgotten men of the orchestra than ever before. Among composers of the past, Hector Berlioz was perhaps the first to pay much attention to the symphonic battery of drums. Later on, Stravinsky and Bartok proved that percussionists could do more interesting things than simply thump out a basic rhythm. Nowadays such avant-gardists as Pierre Boulez, John Cage, Luciano Berio and Karl-heinz Stockhausen treat the percussionist as a performer with rights (and responsibilities) equal to any other soloist...

Author: /time Magazine | Title: Performers: Fireworks from the Battery | 7/18/1969 | See Source »

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