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...musician, Roger Sessions looks like a swarthy, extremely precocious baby; he is probably the most difficult of U.S. composers. His 12-year-old violin concerto bogged down all but one of the many violinists who tackled it. His orchestral works are as elaborately scored as those of Hector Berlioz, but, unlike Berlioz, Sessions seldom repeats themes to give listeners something to cling to. The new symphony's unmuted brasses were as noisy as Shostakovich's, and some passages reminded hearers of the atonalist music of Hindemith and Schonberg. Sessions, however, believes that he is closer to Hungary...

Author: /time Magazine | Title: Music: ForF.D.R. | 1/20/1947 | See Source »

Painting Priest. Hit of the show was Haiti's entry: 28 stiffly drawn, riotously colored genre paintings and still lifes by such esoteric unknowns as Hector Hyppo-lite, a voodoo priest who claims his brush is guided by St. John the Baptist; a 24-year-old ex-houseboy named Castera Bazile, and Louverture Poisson, a mechanic in the Haitian Air Force. They were all the proteges of a self-effacing young U.S. artist with a mission...

Author: /time Magazine | Title: Art: Surprises from All Over | 1/6/1947 | See Source »

...come for another hour. When emergency-ward surgeons finally discovered her trouble it was too late. She died without knowing that a .22 caliber bullet, fired by boys playing on a housetop, had gone through her back and into her stomach. ¶At four in the morning, Hector A. Orta, a small, brown-faced Puerto Rican, walked into a Times Square subway station. There were only a dozen people in the echoing cavern, but one of them-a huge, slack-faced man-was drunk. As he reeled and mumbled, the rest watched him nervously. Suddenly they shrank back against...

Author: /time Magazine | Title: National Affairs: Trio | 12/16/1946 | See Source »

Struggling against odds to reseue the production from Mr. Gerhardi were the two leads, Mendy Weisgal and Marie Heath. Weisgal raged eleverly on as Hector Rigoletto, male witch extraordinaire, Abelard, and Aristotle; but the real orchids must be saved for Mrs. Heath, who gave a delightfully British performance as Emma Seruple-Madison and brought the show to its humorous climax with a skillfully executed drunken laugh, spin, and fall...

Author: NO WRITER ATTRIBUTED | Title: The Playgoer | 12/5/1946 | See Source »

...flyer on an explanation, is one great satire; on faddism, on reincarnation, and on satire itself. The main characters are placed, as usual, at the three points of the triangle, and they, with the rest of the cast, are flashed back and forth by the sorcery of one Hector Rigoletto, to their counterparts in the past...

Author: NO WRITER ATTRIBUTED | Title: From the Pit | 12/4/1946 | See Source »

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