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...Vice President Fred Silverman is rapidly ridding that network of its lingering Saturday Evening Post image, the casualty rate was the highest of all. Out, in addition to Sullivan, were such other golden oldies as Andy Griffith, Jim Nabors, The Beverly Hillbillies, Hogan's Heroes, Family Affair and Hee Haw. "The time has come to go big city as opposed to hayseed," says Silverman. Translation: CBS, adopting the reasoning of its competition, has decided that who watches a show is as important as how many. The young adult, metropolitan market is preferred by most sponsors because it buys more...

Author: /time Magazine | Title: Television: The Losers Are ... | 3/29/1971 | See Source »

...unfair and misleading, as anyone will know who listens to the deft melodic twists and musical good humor of Livingston's first LP, especially the songs Carolina Day and Sit on Back. Alex's LP, released last week, divulges a freewheeling, lowdown style of music that lies somewhere between Hee Haw and New Orleans' Jazz Preservation Hall. Kate's album debut, Sister Kate, produced by Peter Asher and due for release next month, would be an accomplishment for a blues singer with years of experience. As it is, her weary lag and sag in Sweet Honesty and her joyful hymning...

Author: /time Magazine | Title: Music: James Taylor: One Man's Family of Rock | 3/1/1971 | See Source »

...comic book series inaugurated this month will do nothing to erase the suspicions. HEE HEE Bogeyman, and Honky Tonk, all published by Company and Sons, an underground company, are directed at the young freak audience that finds Robert Crumb's Head Comix and Felix the Cat less than fascinating, and the traditional Dell and Marvel labels absolutely boring. All three assume an acquaintance with hard drugs and are only formally connected with their heroic predecessors. More than surrealistic, gross visual explicitness washes each frame with a desperate finality. Where the cover of Felix the Cat shows Felix and his girlfriend...

Author: By Robert Crosby, | Title: Uncle Sam's Kids Hee-Hee, Bogeyman, and Honky | 10/22/1970 | See Source »

Though less sensational than the two other freak comics, HEE HEE's artwork is uneven and lacks even a minimal thematic continuity. From titles like "Voyage to See What's on the Bottom of the Toilet Bowl" and "The Man Who Bites," the comic sounded like an instant winner, but both stories are incomprehensible jumbles of Martian deserts and bathrooms. Others include a giant mouse that chases both Americans and the Viet Cong out of Vietnam and a scientist who tries to change the direction of Western culture by involving everyone in a game he calls "Life." The best story...

Author: By Robert Crosby, | Title: Uncle Sam's Kids Hee-Hee, Bogeyman, and Honky | 10/22/1970 | See Source »

...years comic book fantasies have been a repository for wishes and dreams. But the HEE HEE, Honky Tonk, and Bogeyman series indicates things are different now. All the silly rules are down. Comics are coming to tell you about the dark side of your mind...

Author: By Robert Crosby, | Title: Uncle Sam's Kids Hee-Hee, Bogeyman, and Honky | 10/22/1970 | See Source »

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