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...from the past quarter-century. Virtually every stand-up comedy routine is a regurgitation of Dave Berg's Lighter Side strips. Underground artists from R. Crumb on have taken inspiration from Harvey Kurtzman (Gaines' editorial genius, who left after four years to launch a doomed satirical magazine for Hugh Hefner) and Mad's dense, rude cartoon style. Parodies of advertising and TV did not really exist before Mad invented the form. Ernie Kovacs, along with Bob and Ray, wrote free-lance for Gaines in the '50s, and Kovacs and Mad begat Saturday Night Live and David Letterman (who is, physically...

Author: /time Magazine | Title: A Perfect MAD Man | 6/15/1992 | See Source »

...first sofa. Despite her confident demeanor, she felt so plain she wondered who that attractive, articulate woman impersonating her on television was. Thin as a pinstripe, she nonetheless felt one Sara Lee cheesecake away from Weight Watchers. Once a lively writer who impersonated a Playboy Bunny to expose Hugh Hefner's cheesy idea of sex appeal and quipped that if men could menstruate they would brag about how long and how much, she had produced very little since her collection of essays, Outrageous Acts and Everyday Rebellions, in 1983. Ms., the magazine she co-founded in 1972 and edited from...

Author: /time Magazine | Title: Even Feminists Get the Blues | 1/20/1992 | See Source »

Despite such flaws, which leave you wondering if screenwriter Callie Khouri isn't just fronting for Hugh Hefner, Thelma & Louise is a movie with legs. Long after the movie is done entertaining, it stirs up questions about why men and women remain mysteries to each other. It has its small triumphs. Susan Sarandon makes Hollywood a little safer for older actresses; she fearlessly plays next to someone 10 years younger. And at least Thelma and Louise stop short of emulating Butch Cassidy and the Sundance Kid, who use their remaining ammunition to go out in a blaze of testosteronic glory...

Author: /time Magazine | Title: Is This What Feminism Is All About? | 6/24/1991 | See Source »

Naturally, not all women managers like to hug their employees, and not all male bosses are insensitive negotiators. "Gender isn't necessarily destiny in management style," affirms Christie Hefner, 37, who succeeded her father two years ago as chairman and chief executive of Playboy Enterprises. Nor do the so-called feminine qualities of consensus building and listening imply a lack of spine, although, as Hefner wryly observes, such traits "were not greatly valued in management books until they began to be defined as Japanese...

Author: /time Magazine | Title: On The Job: Why Can't a Woman Manage More Like . . . a Woman? | 11/8/1990 | See Source »

...then have either of these events occurred? The second event undoubtedly has. Trump involves certain pharaonic consequences. He sprays his name on buildings and airplanes: a very, very rich graffiti artist. Trump is a man whose ads speak of his apartment buildings as enactments of his "philosophy." Hugh Hefner is another man who has a "philosophy." We live in a Periclean...

Author: /time Magazine | Title: Essay: Let Us Recuse Ourselves Awhile | 3/5/1990 | See Source »

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