Word: hegemann
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...Bertolt Brecht, one of Germany's most influential poets and playwrights, once famously admitted to a "laxity in questions of intellectual property" when he was accused of plagiarizing the French poet François Villon in his play Threepenny Opera - there must be another reason that explains why the Hegemann case has created a stir in Germany. Philipp Theisohn, a professor of literature at the Swiss Federal Institute for Technology in Zurich and author of a book on the history of plagiarism, believes the case struck a chord because the literary world is eager to publish truly authentic voices...
...would have found it more honest - and none the worse, creatively - if Ms. Hegemann would have asked Airen for permission to so excessively use the stories," says Debora Weber-Wulff, a media professor and plagiarism expert at the University of Applied Sciences in Berlin. Weber-Wulff believes that Hegemann's generation shares the same laissez-faire attitude toward copying and pasting that comes from growing up in the Internet age. "Digital information is infinitely copyable," Weber-Wulff says. But she adds that questions remain over just how much of a person's creative work can be copied and how that...
...Hegemann, who mentions Airen in the acknowledgements of the second edition of the book but not in the first, has since apologized for "not having mentioned all the people right from the outset whose thoughts and texts have helped me." But she also defended her work by claiming that "true originality doesn't exist anyway, only authenticity" and insisted on her "right to copy and transform" other people's work, taking a stand against what she called the "copyright excesses" of the past decade. Nonetheless, her publishing company, Ullstein, seemed to care about the possible legal ramifications of her actions...
...novel tells the story of a precocious 16-year-old named Mifti, who, following the death of her mother, attempts to escape the meaninglessness of her life by losing herself in the sex, drugs and violence of the Berlin club scene. Yet despite Hegemann's claims that her use of Airen's words is not plagiarism but something she calls "intertextuality," critics question whether she has pushed the limits of what is acceptable. In an age when sampling other artists' work has become ubiquitous in the music industry, where does creative sampling stop and plagiarism begin in the writing world...
...Theisohn wonders what the future will hold for Hegemann. Plagiarism accusations aside, he calls her book a "decent accomplishment for a 17-year-old." Weber-Wulff, too, sees reasons to be optimistic: "I suppose we should be happy that someone is actually using that ancient communication method, writing...