Word: heiden
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Dates: during 1960-1969
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...Herren, was a little square, for the performers ignored Schutz' constant shifts of meter. But the anti-phonal choruses had an excitement in their tone and enunciation, and gave a bouvancy to their lines, that prefigured the best qualities of the concert. Bach's Lobet den Herrn, alle Heiden, however, was disappointing in just these respects. The tempo was too slow, the words were totally inaudible in the women's parts, and the sopranos lost their nerve half-way through. Their tone lost all conviction, and the pitch, already shaky, deteriorated...