Word: heifetz
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Dates: during 1940-1949
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Saint-Saëns: Carnival of the Animals (Philadelphia Orchestra conducted by Leopold Stokowski, with Cellist Benar Heifetz, Pianists Jeanne Behrend and Sylvan Levin; Victor; 6 sides; $3.50). Slick virtuoso performance of banal zoological portraits-elephants, cuckoos, tortoises, pianists, critics, the famed "dying" swan...
...about dynamics, he reports: the orchestra "played loud." He announced firmly, of Composer Samuel Barber, that "his heart is pure." In café lingo he declared that a chorus sang "perfectly. But perfectly." He also twists the tails of Carnegie Hall's sacred cows. Thomson on Fiddler Jascha Heifetz...
...Sitwell family; to Sister Edith's verses he wrote Faç;ade, his best-known, though least profound, orchestral work. Driving an ambulance, which William Walton has been doing for more than a year, kept him from hearing the world premiere of his violin concerto, written for Jascha Heifetz and played in Cleveland in December 1939. Fortnight ago, his job kept him from another first performance: his Scapino, a Comedy Overture, commissioned by the Chicago Symphony as part of its 50th-anniversary celebration...
Tall, lean, balding Joseph Szigeti (rhymes with spaghetti) is not the silky-slickest violinist in the world (Jascha Heifetz is), nor the velvety-mellowest (Fritz Kreisler is). But for flawless taste and all-round performance, Fiddler Szigeti gets the votes of most critics, fiddlers, composers, fastidious concert-fanciers. The 15 years, on & off, that Szigeti has fiddled in the U. S. have given him a taste for such U. S. diversions as listening to swing and the radio. Last week radio "jaywalkers"-as he calls dial-twiddlers-had a chance to hear Szigeti...
Beethoven: Concerto in D Major for Violin and Orchestra (Jascha Heifetz, violinist, with the NBC Symphony under Arturo Toscanini; Victor: 9 sides). The most majestic of fiddle works. needled with titanic energy by a great combination. But there are familiar faults: NBC's Studio 8-H is as dull for recording as for inside listening; Maestro Toscanini's refusal to pause for breaks between record sides makes it necessary for engineers to break arbitrarily...