Word: heifetz
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
Until recently, the idea of Orientals performing Western music seemed about as freakish as Heifetz playing the one-string ichigenkin. Now all that has changed. In the past few years, American and European concert halls have experienced something close to a full-scale invasion by talented Korean and Japanese musicians. Last week, Japan's Seiji Ozawa, 32, conducted programs of Rossini and Hindemith in Canada; Korean Violinist Young Uck Kim, 20, performed Saint-Saëns' Concerto No. 3 in Corpus Christi, Texas; and an eight-year-old Japanese cherub named Hitomi Kasuya played part of a Mozart...
...HEIFETZ: SAINT-SAENS, SONATA NO. 1 (RCA Victor). As Professor Higgins once observed, Frenchmen don't actually care what they do, only how they pronounce it. And Charles Camille Saint-Saens is nothing if not French. "The artist who does not feel completely satisfied by elegant lines, by harmonious colors and by a beautiful succession of chords does not understand the art of music," he once declared. Most of his music, including Sonata No. 1 For Piano ' and Violin, is more form than substance. Still, Jascha Heifetz plays it well, and includes satisfying little pieces by four other...
...projects, the conversion of the Bell Laboratories is by far the most ambitious undertaking. The building itself-where Herbert Hoover watched the first television demonstration, Jascha Heifetz recorded on one of the first "primitive" hi-fi systems, and Sam Warner made the first "talkie"-is peculiarly suitable, with its 10-ft. to 16-ft. ceilings, a cafeteria and an auditorium, all features that Architect Richard Meier hopes to preserve in the ren ovation. Tenants, to be screened by a citizens' committee, will be able to rent units at approximately $110 a month...
Polo Balls. To begin with, even the foremost violinists are out of tune. Jascha Heifetz, Leonid Kogan and Isaac Stern like the dark, virile tone of the Guarneri; Zino Francescatti, Yehudi Menuhin and David Oistrakh prefer the lighter, silvery tone of the Stradivari. The Guarneri has the breadth and projection of a contralto, says one camp. Ah, yes, but the Strad has the clarity and finesse of a soprano, counters the other. That Stradivari enjoys a more illustrious reputation, says Heifetz, is because "he had a better pressagent." Actually, claims Jascha, "the Guarneri is a joyous woman, richly experienced...
Nobody really sees him. Nobody really hears him. He is the fellow in the frayed white tie and tails, the one buried seven rows back peering sourly through a cluster of elbows. He is the symphony musician - bored, frustrated and anonymous. So he didn't become the second Heifetz as everybody back in Glen Falls said he would. There was nothing else to do but join a big-city symphony, file lock-step onto the stage - no talking, please - and, at the nod of the imperious maestro, saw away mechanically at the Brahms First for the 101st time...