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...feature release this month is the Brahms Double Concerto for Violin and Cello, played by Heifetz and Feuermann with the Philadelphia Orchestra under Ormandy (Album M-815). The Double Concerto was Brahms' last essay in the symphonic form. After finishing it he turned back finally and for good to the smaller forms in which he seemed to be more at home, the chamber sonata, the song, and the piano lyric. And I don't think that I am reading things into the music when I say that the Double Concerto has about it a sort of tiredness with the orchestral...

Author: By Jonas Barish, | Title: THE MUSIC BOX | 10/9/1941 | See Source »

Saint-Saëns: Carnival of the Animals (Philadelphia Orchestra conducted by Leopold Stokowski, with Cellist Benar Heifetz, Pianists Jeanne Behrend and Sylvan Levin; Victor; 6 sides; $3.50). Slick virtuoso performance of banal zoological portraits-elephants, cuckoos, tortoises, pianists, critics, the famed "dying" swan...

Author: /time Magazine | Title: Music: SYMPHONIC, ETC. | 7/14/1941 | See Source »

...about dynamics, he reports: the orchestra "played loud." He announced firmly, of Composer Samuel Barber, that "his heart is pure." In café lingo he declared that a chorus sang "perfectly. But perfectly." He also twists the tails of Carnegie Hall's sacred cows. Thomson on Fiddler Jascha Heifetz...

Author: /time Magazine | Title: Music: Four Saints and Mr. Thomson | 6/9/1941 | See Source »

...Sitwell family; to Sister Edith's verses he wrote Faç;ade, his best-known, though least profound, orchestral work. Driving an ambulance, which William Walton has been doing for more than a year, kept him from hearing the world premiere of his violin concerto, written for Jascha Heifetz and played in Cleveland in December 1939. Fortnight ago, his job kept him from another first performance: his Scapino, a Comedy Overture, commissioned by the Chicago Symphony as part of its 50th-anniversary celebration...

Author: /time Magazine | Title: Music: Escape Music | 4/21/1941 | See Source »

Tall, lean, balding Joseph Szigeti (rhymes with spaghetti) is not the silky-slickest violinist in the world (Jascha Heifetz is), nor the velvety-mellowest (Fritz Kreisler is). But for flawless taste and all-round performance, Fiddler Szigeti gets the votes of most critics, fiddlers, composers, fastidious concert-fanciers. The 15 years, on & off, that Szigeti has fiddled in the U. S. have given him a taste for such U. S. diversions as listening to swing and the radio. Last week radio "jaywalkers"-as he calls dial-twiddlers-had a chance to hear Szigeti...

Author: /time Magazine | Title: Music: Szigeti on the Air | 1/20/1941 | See Source »

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