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Word: heifetzes (lookup in dictionary) (lookup stats)
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When I lived in Paris or London, everybody sneered at the Hollywood style or Hollywood superficiality. But when I moved here in the '40s, who were my neighbors? Schoenberg, Rachmaninoff, Aldous Huxley, Heifetz, Thomas Mann, Stravinsky and Rubinstein. What Hollywood style? What Hollywood superficiality? These creative people lived here, first, because the city is so widespread that you can have your privacy when you want it. Second, the climate. Also, people here are not afraid to break traditions. When we want to play without a conductor...

Author: /time Magazine | Title: Cellists: Verbal Virtuoso | 4/26/1968 | See Source »

...HEIFETZ-PIATIGORSKY CONCERTS: DVORAK'S PIANO QUINTETTE IN A, and FRANÇAIX: STRING TRIO (RCA Victor). Piatigorsky's full-throated cello conducts a civilized but passionate conversation with the violins of Heifetz, Israel Baker and Joseph de Pasquale and Jacob Lateiner's piano. In fact, all five musicians have a meticulous sympathy for Dvorak's buoyant chamber work, which is permeated by Czech folk music, or dumka ("little thought"), the unpretentious but satisfying Slavic themes that delighted Dvorak. The Françaix String Trio, on the other side, has little to offer but excellent musicians...

Author: /time Magazine | Title: Television: Feb. 16, 1968 | 2/16/1968 | See Source »

Until recently, the idea of Orientals performing Western music seemed about as freakish as Heifetz playing the one-string ichigenkin. Now all that has changed. In the past few years, American and European concert halls have experienced something close to a full-scale invasion by talented Korean and Japanese musicians. Last week, Japan's Seiji Ozawa, 32, conducted programs of Rossini and Hindemith in Canada; Korean Violinist Young Uck Kim, 20, performed Saint-Saëns' Concerto No. 3 in Corpus Christi, Texas; and an eight-year-old Japanese cherub named Hitomi Kasuya played part of a Mozart...

Author: /time Magazine | Title: Instrumentalists: Invasion from the Orient | 11/3/1967 | See Source »

...HEIFETZ: SAINT-SAENS, SONATA NO. 1 (RCA Victor). As Professor Higgins once observed, Frenchmen don't actually care what they do, only how they pronounce it. And Charles Camille Saint-Saens is nothing if not French. "The artist who does not feel completely satisfied by elegant lines, by harmonious colors and by a beautiful succession of chords does not understand the art of music," he once declared. Most of his music, including Sonata No. 1 For Piano ' and Violin, is more form than substance. Still, Jascha Heifetz plays it well, and includes satisfying little pieces by four other...

Author: /time Magazine | Title: Television: Sep. 29, 1967 | 9/29/1967 | See Source »

...projects, the conversion of the Bell Laboratories is by far the most ambitious undertaking. The building itself-where Herbert Hoover watched the first television demonstration, Jascha Heifetz recorded on one of the first "primitive" hi-fi systems, and Sam Warner made the first "talkie"-is peculiarly suitable, with its 10-ft. to 16-ft. ceilings, a cafeteria and an auditorium, all features that Architect Richard Meier hopes to preserve in the ren ovation. Tenants, to be screened by a citizens' committee, will be able to rent units at approximately $110 a month...

Author: /time Magazine | Title: Artists: Lofty Solutions | 8/18/1967 | See Source »

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