Word: heightchew
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...this tension in all aspects of the show, from the ballet itself to its surrounding atmosphere. The music abruptly alternated between Mozart’s chamber pieces and Nancy Euverink’s synthesized soundscape “Sub Pulse 2.” The costumes, by Charles Heightchew, were classical tutus—but also frayed and skin-colored so that the dancers appeared nude to the audience. The movement was classically grounded, but also edgy and fractured. All in all, it was a jarring performance...
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