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...because de Grazia also plays Hamlet, which might have otherwise led to a one-dimensional ego-trip production. There is thus no undirectional theme with all the characters a collective midwife to some zinging, overwhelming closing statement. Rather, the portrayals are loose and disjunct, and that serves finally to heighten the senselessness of the tragedy. The tragic climax is not the clear and unavoidable result of certain obvious flaws in the characters. In this sense the production, perhaps inadvertantly, denies the Greek therapy of tragic catharsis, but I think that's good because the notion that there can be "meaningful...

Author: By David R. Ignatius, | Title: The Theatregoer Hamlet | 12/13/1969 | See Source »

...that Rossellini does not use his camera to heighten dramatic moments. But his means at such times lead him away from abstract, formal stylization, where another director would change the lighting or choose a portentous camera angle for emotional emphasis. At one point de Sica, fresh from the torture room, is dragged back to his cell by two guards. A fellow prisoner walks by him away from the camera, then turns to stare. The camera zooms with unbelievable rapidity or rather, jolts-into his face, and zooms out to a long shot as the man begins running to cells, banging...

Author: By Mike Prokosch, | Title: The Moviegoer General della Rovere | 9/29/1969 | See Source »

EVERY NIGHT that week Martin had one of his funny dreams, and by day the tension was unbearable for him. Something was going to happen to him soon; he knew it. Every minute seemed to heighten the anticipation. He couldn't study any more-he couldn't even concentrate on wasting time. He began sitting in the armchair again and staring at the phone: why, he didn't know. He just sat and stared...

Author: By Samuel Bonder, | Title: 'For Betty, With No Hard Feelings' | 9/18/1969 | See Source »

...portrait of St. John Chrysostomos shows how Nubian artists employed subtle shading not only for the sake of naturalism but also to heighten mood. A Madonna and Child dating from around 710 differs from many earlier extant treatments of the subject in that it shows Christ as a baby and not a diminutive adult...

Author: /time Magazine | Title: Antiquities: Miracle from the Desert | 9/5/1969 | See Source »

...fact eroticism in art derives as much from what is suggested as what is shown--those of us old enough to appreciate eroticism have already found out by took and crook what everything looks like and don't need very much of it unbared on the screen to heighten the impact...

Author: By Jim Frosch, | Title: I Am Curious (Yellow) | 7/18/1969 | See Source »

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