Word: heink
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...artists will play the following parts: Brunnhilde, Mme. Gadski Erda, Mme. Schumann-Heink Waldvogel, Mme. Alma Gluck Mime, Mr. Albert Reiss Der Wanderer, Mr. Clarence Whitehill Alberich, Mr. Otto Goritz Fafner, Mr. Basil Ruysdael Siegfried, Mr. Johannes Sembach Conductor, Mr. Alfred Hertz...
...Schumann-Heink, whose health has been sufficiently restored at her farm in California, where she is now staying, to take part in the performance, will be the Erda. Her only appearance this season in Boston will be in "Siegfried," her only other engagement in this country prior to June fourth will be at the Saenger-fest in Brooklyn, N. Y. Mme. Gadski, the Brunnhilde, has never sung so well as she is singing this year at the Metropolitan. Mme. Alma Gluck is engaged to sing the music of the bird who speaks to Siegfried, because the fresh quality...
...production of Wagner's "Siegfried," which will be given at the Stadium on June 4 by artists of the Metropolitan Opera Company, with Mr. Hertz as conductor. The cast is one of the greatest which could be assembled at this time, the artists including Mme. Gadski, Mme. Schumann-Heink, Mme. Alma Gluck, Messrs. Berger, Whitehill, Reiss, Goritz, and Ruysdael, all of the Metropolitan Opera House, New York. The orchestra, which at the Metropolitan numbers about 85, for this performance will be enlarged to 120 pieces...
...cast is to include Mmes. Gadski, Schumann-Heink, Alma Gluck, and Messrs. Berger, Whitehill, Reiss, Goritz, and Ruysdael, all from the Metropolitan Opera Company, of New York. Mr. Alfred Hertz, the eminent Wagnerian conductor, will direct the Metropolitan Opera House Orchestra, augmented to 120 players. All of the singers have made memorable appearances in their roles both in the Wagner Festival at Bayreuth and in the Metropolitan Opera House...
...Symphony Concert last night was perhaps the best concert that has been given in Cambridge this season. The soloist, Madame Schumann-Heink, was in perfect voice, and received many recalls. Her first number, the Aria from Mozart's "Titus," showed the wonderful range of her voice, and its superb dramatic power. But the richness and tenderness of her voice appeared best in Schubert's song, "Die Allmacht," her second number...