Word: heinrichs
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Dates: during 2000-2009
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...unprecedented move, the supervisory board of German engineering giant Siemens AG on Tuesday launched plans to sue 11 former management board executives, including former CEOs Heinrich von Pierer and Klaus Kleinfeld, over alleged supervisory failings linked to a $2 billion bribes-for-business scandal...
...Berlin and emerged at Mitte, the center of old East Berlin. I found myself alone on this huge square, except for a strange glow coming from a glass plate in the pavement. There was a small white underground chamber lined with empty bookshelves. On it was that famous [Heinrich] Heine quote, 'Where they burn books, they will end up burning people.' It was the monument to the 1933 book burnings. I looked up and saw I was surrounded by Frederick the Great's Neoclassical buildings. Nearby were Hitler's bunker and the old Jewish synagogue. I was at the center...
...were inhospitable to the art or even the public. To meet U.S. safety codes, the museum had to apply 7.5-cm-tall wooden markers ("courtesy curbs") on the floor in some galleries to prevent visitors from advancing into inward-sloping walls and bumping their heads. Christoph Heinrich, who will become the Denver museum's new curator of modern art in September, has already announced that for one of his first shows he plans to ask artists to offer work that responds to the language of Libeskind's spaces...
Although Kleinfeld has never been implicated in anything illegal, key directors on the supervisory board that oversees management felt a clean sweep at the top was necessary to restore the company's credibility. Kleinfeld's future took a dismal turn on April 19, when his predecessor and mentor, Heinrich Von Pierer, most recently the chairman of the supervisory board and under whose watch the alleged crimes occurred, resigned under pressure. The board then took off the table discussions to extend Kleinfeld's contract, which is due to expire in September, until it had a better idea of where the investigation...
...Joffe and Verma expertly executed the sensual choreography of Nell S. Hawley ’10. The duo worked beautifully together, often moving exactly in sync, as if they both belonged to the same body. The choreography, set to the powerful vocal music of 17th-century German composer Heinrich Schutz, made excellent use of the space in between the dancers’ bodies. The ending sequence left a lasting impression as the two girls embraced, before pulling away from each other...