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Word: heinrichs (lookup in dictionary) (lookup stats)
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...Behind the Music (Heinrich Smitt) "I was brought up by German expatriates on a ranch in Wyoming. On that ranch was a little studio that we kept in the toolshed . . . there was a lot of equipment, equipment that looked as if it would sever a limb. I spent a lot of my childhood in that studio, with my head in a vise as my poppy beat me with a cattle prod. A lot of the stuff that we produce today in these multi-million dollar studios, with all the fancy equipment, with the vises made of softest velvet, just...

Author: By Richard D. Ma, | Title: Introducing: Jennr8r | 2/18/1999 | See Source »

...starts as a modified Robin Hood where "the den" is a circa 1954 sushi restaurant, and the merry men have been compressed into several burglar alarm sales-people bent on income redistribution. Anyone familiar with Los Angeles will realize the timeliness of their "rob the rich" scam in which Heinrich Grigoris (Greg Tucci) boosts the sales of his alarms by staging robberies in the neighborhood of his potential clients. The twist in Grigoris' scheme is Tommy, the new salesman played with adorable, bumbling style by David Arquette. The real credit in The Alarmist must go to the actors. Like...

Author: NO WRITER ATTRIBUTED | Title: Brevitas | 11/20/1998 | See Source »

...Alarmist starts as a modified Robin Hood where "the den" is a circa 1954 sushi restaurant, and the merry men have been compressed into several burglar alarm salespeople bent on income redistribution. Anyone familiar with Los Angeles will realize the timeliness of their "rob the rich" scam in which Heinrich Grigoris (Greg Tucci) boosts the sales of his alarms by staging robberies in the neighborhoods of potential clients. The twist in Grigoris' scheme is Tommy, the new salesman played with adorable, bumbling style by David Arquette. A natural at the hook, the Tommy's moral sensibilities are deeply troubled...

Author: By Carla A. Blackmar, CRIMSON STAFF WRITER | Title: THE ALARMIST | 11/13/1998 | See Source »

Their second selection, Heinrich Isaak's Motet Virgo Prudentissima, seemed by contrast to start off with redemption. In a slower, more contemplative tempo, the choir boys looked ready to shine. Without being drowned out by the older choir, the sopranos and altos united in the production of haunting, luscious strains that, for a fleeting moment, transmogrified Symphony Hall into St. Peter's Basilica. But once the basses and tenors in the older choir joined in, the younger choir boys lost their nerve. This led to technical difficulty between the sopranos and basses. Ideally, their voice parts should have slid over...

Author: By Joanne Sitarski, CRIMSON STAFF WRITER | Title: More Than Pretty Faces | 11/6/1998 | See Source »

...opens its 35th season with Giselle, one of the most passionate, most sorrowful and most beautiful of the Romantic Era ballets. This ballet of innocent young love and cruel betrayal was created by the Parisian poet Gautier in 1841. He was inspired by a story written by German poet Heinrich Heine describing the legend of the wilis--betrothed maidens who died before their wedding day because their hearts had been broken. Exacting revenge for their unrequited love, the spirits of these young maidens would rise from their graves at midnight and force any man they met to dance...

Author: By Christiana Briggs, CONTRIBUTING WRITER | Title: It's a Mad, Mad, Mad, Mad World in Boston Ballet's `Giselle' | 10/9/1998 | See Source »

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