Word: heiresses
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...picture has enough vitality to throw new life into a lot of matter otherwise dead. Joan Crawford, for example, is the familiar overly-rich heiress who doesn't know what to do with herself and her money, until she meets a poor man. That person in this case is Clark Gable, and he is a reporter, which class doesn't learn his identity until he and she have stolen a airplane, scared about a million people in taking off, crashed the plane, found a spy map in it, dressed up like French peasants, spent a night in Fontaineblean Palace with...
...cottage at Longwood, on a bleak plateau on the island, the tragi-comedy of Napoleon's exile worked itself out. He adjusted himself to it more readily than anyone else. He romped with the children, teased the pretty, high-spirited 14-year-old Betsy Balcolme, a St. Helena heiress who played tricks on him, pulled his hair, once almost killed him with one of her pranks. Making a great fuss over his rights, Napoleon outsmarted his jailers almost from habit, played on the sympathies of Europe, started such rumors that presently a large body of troops and a good...
...hurdle in ambition's path he gets up courage by a brief affair with a dance-hall hostess (Frances Farmer), not the least of whose charms is a convenient knack of converting beer trays into lethal missiles in a barroom brawl. When Glasgow goes off to marry his heiress, the eccentric Swede foreman (Walter Brennan) who has been his best friend stays on to marry the dance-hall girl. It takes a full generation for Barney Glasgow to count the gains and losses of this move. The final audit comes when, the richest man in the State, he discovers...
Seeking Divorce. Mrs. Louise Wise Lewis Francis, 39, niece & heiress ($5,000,000) of the late Oilman Henry Morrison Flagler; from Frederick G. Francis, 37, her third husband; in Miami...
...other picture tries hard to romp, but it's almost too feeble to hobble. All in abidance with the rules of the movie game, a giddy heiress (Anne Southern) with remarkably sensible parents (Henry Stephenson and Jessie Ralph) gets ahold of a very worthy, manly, audacious young man (Gene Raymond) in order to win the man of her heart, who is really something of a cad. Then the rest of the movie is naturally enough used to indicate that heroines do not marry cads, no matter how close they may come to it. There is one departure from the normal...