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...nevertheless disappointed in the show. "Everything started to change," she says. "This exhibit is very defensive, and it excludes what was happening between 1980 and 1989." The show's most distinctive body of work was produced by the Leipzig School, a group of painters led by Bernhard Heisig, Werner Tübke and Mattheuer - artists who walked a tightrope between conformism and independence, and displayed visible links to past masters. Heisig's Beharrlichkeit des Vergessens (Persistence of Forgetting), which deals with German militarism, contains a section from an Otto Dix painting, creating a lineage that transcended art in the G.D.R...

Author: /time Magazine | Title: A Peek Behind The Wall | 8/3/2003 | See Source »

...still strong. Ulrich Plenzdorf, an East German novelist and playwright whose works sell on both sides of the Wall, argues that "no matter how many adjectives the system may use to describe itself, the 'German' remains." When a West German border guard once asked Leipzig Painter Bernhard Heisig how long he intended to stay in "Germany," Heisig promptly replied, "I never left...

Author: /time Magazine | Title: East Germany: Bridge over an Infamous Wall | 4/23/1984 | See Source »

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