Word: helene
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Dates: during 1950-1959
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...Helen Baird (Shirley Booth), has an affair with Helen's son, is driven to a suicide attempt when the boy discards her. Having found "four successive hit plays in corners of the commonplace overlooked by his fellow playwrights," wrote the Washington Evening Star, "Inge goes for a fifth in A Loss of Roses." ¶ Goodbye Charlie, bought for the movies while it was still rolling out of George (Seven Year Itch) Axelrod's typewriter, was a moneymaker before it went into rehearsal. All it needs now, as Author Axelrod sees it, is a new finish. Boasting the most...
...while pretending to hymn the heroes of the past. In this view, Agamemnon, leader of the Achaeans, is the prize buffoon. And when Hector, the Trojan leader, offers to stake the whole war on a single combat, the Greeks respond at first with resounding silence. Then Menelaus, whose wife Helen set off the strife by running away with Paris, grudgingly accepts the challenge-but quickly lets himself be talked out of it. When at last Ajax is chosen by lot, he and Hector spar for a minute and then agree it is really too dark to fight...
...familiarity with her role was understandable. Even while her taped performance in Zone was on the air last week, Patty was onstage in Boston playing a similar but far more difficult part. She is the deaf, mute and blind child of The Miracle Worker, the Broadway-bound account of Helen Keller's early years (TIME, Oct. 5). And in The Miracle Worker, Patty's achievement is even more astonishing than it was in Zone...
What Would You Say? Patty worked hard to get ready for her tryout. boned up on Helen Keller's early problems. When she appeared for her audition, she was thoroughly prepared. "What would you say if you were Helen Keller?" asked Director Arthur Penn. Answered Patty with calm assurance: "I wouldn't say anything. I couldn't talk...
Every scene between Helen and Annie is electric in its excitement; for ten minutes in the second act, the audience sits fascinated as Annie teaches Helen to fold her napkin and to eat with a spoon; not a word is spoken. The performances of Miss Bancroft and Miss Duke so stand out that they obscure several other important assets. First, Gibson's play is astoundingly free of the oversentimentality that could so easily bog down an enterprise of this kind. Second, the rest of the cast, particularly Patricia Neal as Helen's mother and James Congdon as her half-brother...