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...listen and react with a skill that lends the slender script warmth and pathos. They receive scant help from the Perrys. In the original story, Belli, despite his name, is Jewish. Here he is simply "Russian." In the story, Miss O'Meaghan sits atop a gravestone and imitates Helen Morgan singing Don't Ever Leave Me-and is interrupted by a file of shocked Negro mourners. Here she is given a bland song (lyrics supplied by Eleanor Perry because rights to the original were prohibitively expensive) and is interrupted by shocked whites. The erosion of such fine details...

Author: /time Magazine | Title: Cinema: Cyclamate Substitute | 11/21/1969 | See Source »

...diction, precise ensemble and balance, and spiritual sympathy. But conductor James Yannatos deserves special praise for a manly, unostentatious, dramatically well-proportioned, moving yet suitably chaste reading of this Requiem of consolation for both dead and living. Baritone Thomas Beveridge sang with subtler phrasing and dynamic control than soprano Helen Boatwright, who, while possessing considerably more substantial tone, tended to substitute distracting inhalatory anguish for simpler feeling. The sorrow of her central text resides in the unadorned line, without need for such overt emotional infringement...

Author: By Chris Rochester, | Title: The Concertgoer Ein Deutsches Requiem | 11/19/1969 | See Source »

...HELEN WHITWORTH Midland, Texas...

Author: /time Magazine | Title: Letters: Oct. 24, 1969 | 10/24/1969 | See Source »

...devote whole rooms to single artists of his choice rather than include everybody results in a perspective that he himself probably did not anticipate. In the Met's vast spaces, Adolph Gottlieb, Robert Motherwell and even Barnett Newman wither. But the works of Ad Reinhardt, Hans Hofmann and Helen Frankenthaler take on new authority. The show's most serious deficiency is in sculpture, and Geldzahler admits that, with the exception of David Smith's towering talent, his choices were geared to what would look well with the paintings...

Author: /time Magazine | Title: Art: From the Brink, Something Grand | 10/24/1969 | See Source »

After going to Rutgers as an assistant professor of economics, he married the former Helen Bernstein, a onetime schoolteacher. Burns became an expert on business cycles, tracing 600 economic indicators through their ups and downs, and isolated 21 that gave an early guide to the direction of the economy as a whole. By the time Eisenhower entered the White House, Burns was an idea man whose time had come. A recession had begun...

Author: /time Magazine | Title: Business: The Professor with the Power | 10/24/1969 | See Source »

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