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Word: helens (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...HELEN M. NICOLA Seattle...

Author: /time Magazine | Title: Letters: Dec. 12, 1969 | 12/12/1969 | See Source »

Richard Strauss: Der Rosenkavalier (London). Conducted by Georg Solti, this Rosenkavalier neatly obliterates its recorded competition. Three lush-voiced ladies (Régine Crespin, Helen Donath and Yvonne Minton) keep the story poised convincingly between spring and autumn and the music teetering tenderly on the verge of tears. The big cast is stuffed with the names of well-loved Viennese singers, as well as the Met's sensational new tenor, Luciano Pavarotti...

Author: /time Magazine | Title: Music: Opera on Your Own | 12/12/1969 | See Source »

...DRAGON OF AN ORDINARY FAMILY, by Margaret Mahy, illustrated by Helen Oxenbury (Watts; $4.95). "Dragon, Housetrained, Unusual Pet, Very Cheap, 50?," or so the sign said when Mr. Belsaki, the father of the ordinary family, went out to purchase an ordinary pet for son Gaylord. With considerable help from attractively grotesque illustrations, both the dragon and Belsaki's life soon expand on an extraordinary scale...

Author: /time Magazine | Title: Time Listings: Dec. 5, 1969 | 12/5/1969 | See Source »

...listen and react with a skill that lends the slender script warmth and pathos. They receive scant help from the Perrys. In the original story, Belli, despite his name, is Jewish. Here he is simply "Russian." In the story, Miss O'Meaghan sits atop a gravestone and imitates Helen Morgan singing Don't Ever Leave Me-and is interrupted by a file of shocked Negro mourners. Here she is given a bland song (lyrics supplied by Eleanor Perry because rights to the original were prohibitively expensive) and is interrupted by shocked whites. The erosion of such fine details...

Author: /time Magazine | Title: Cinema: Cyclamate Substitute | 11/21/1969 | See Source »

...diction, precise ensemble and balance, and spiritual sympathy. But conductor James Yannatos deserves special praise for a manly, unostentatious, dramatically well-proportioned, moving yet suitably chaste reading of this Requiem of consolation for both dead and living. Baritone Thomas Beveridge sang with subtler phrasing and dynamic control than soprano Helen Boatwright, who, while possessing considerably more substantial tone, tended to substitute distracting inhalatory anguish for simpler feeling. The sorrow of her central text resides in the unadorned line, without need for such overt emotional infringement...

Author: By Chris Rochester, | Title: The Concertgoer Ein Deutsches Requiem | 11/19/1969 | See Source »

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