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ADMINISTRATION: Daniel M. Rubin, Donald Sweet, Alan J. Abrams, Denise Brown, Teresa A. Foster, Helga Halaki, Margaret G. Haudek, Katharine K. McNevin, Rafael Soto, Elizabeth M. Waite, Carrie Ross Welch...

Author: /time Magazine | Title: Time Magazine Masthead September 14, 1987 | 9/14/1987 | See Source »

ADMINISTRATION: Daniel M. Rubin, Donald Sweet, Alan J. Abrams, Denise Brown, Teresa A. Foster, Helga Halaki, Margaret G. Haudek, Katharine K. McNevin, Rafael Soto, Elizabeth M. Waite, Carrie Ross Welch...

Author: /time Magazine | Title: Time Magazine Masthead | 8/17/1987 | See Source »

...then the legend was well away. J. Carter Brown, the director of Washington's National Gallery of Art, leaped onto the bandwagon with a scissor-legged agility worthy of Tom Mix, committing his museum to an exhibit of some 125 of the 240 pencil drawings, watercolors and temperas of Helga. Billed as "a set of fascinating documents in the odyssey of the American artistic achievement," with a first printing of 250,000 catalogs, le cirque Helga opens this week and will, of course, be jam-packed until late September, when it begins its progress to Boston, Houston, Los Angeles...

Author: /time Magazine | Title: Art: Too Much of a Medium-Good Thing | 6/1/1987 | See Source »

...time is past when one could dismiss Wyeth as nothing more that a sentimental illustrator, as critics irked by his popular appeal regularly did a decade or more ago. True, his work is grounded in illustration and often fails to transcend it. Not a few of the images of Helga lying naked on a bed or tramping resolutely through the snow in her Loden coat have the banal neatness of things done for a women's magazine. Some of them, like the technically impressive watercolor In the Orchard, 1974, are as deadly in their "sensitiveness" as greeting cards. But there...

Author: /time Magazine | Title: Art: Too Much of a Medium-Good Thing | 6/1/1987 | See Source »

...Soviet Union, no doubt because his version of American landscape (bare birches, patches of snow, brown stubble, rocks and iced-up puddles, all under a white sky) looks so like Siberia. To gauge how the roots of his imagination go, one need only compare his painting of the nude Helga with a black ribbon round her neck, face averted, floating in a soup of dark shadow, with the work on which it is based: Manet's Olympia. There, one has all the contrast between what is deep and what is genteel, between brazen, ironic intelligence and mere sensibility, between...

Author: /time Magazine | Title: Art: Too Much of a Medium-Good Thing | 6/1/1987 | See Source »

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