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...secrets piled on top of secrets lent a lurid glow that was not in the paintings. And the Wyeths, inadvertently or intentionally, added to the titillation. His decision to try to protect the privacy of Helga made the suspicious more so. And Art & Antiques reports that when Betsy Wyeth was asked what the works were about and why her husband had kept them secret, she took a long, pensive pause and replied, "Love." Did Betsy mean that the artist, known for his continuing and intimate relationships with the subjects of his paintings, was having an affair with his model...

Author: /time Magazine | Title: Art: Andrew Wyeth's Stunning Secret | 8/18/1986 | See Source »

Whatever posterity's verdict, Andrews is not alone in his enthusiasm. "I couldn't believe it, they were so powerful and beautiful," waxes J. Carter Brown, director of the National Gallery of Art in Washington, who next May is planning to mount the first Helga exhibition. "You are looking over the shoulder of a great master at work." Thomas Hoving, editor in chief of Connoisseur magazine and the leading impresario of fine-art hyperbole, proclaims that the group is "unique in art history -- to suddenly have before you this monumental body of great American painting. It's a mighty poke...

Author: /time Magazine | Title: Art: Andrew Wyeth's Stunning Secret | 8/18/1986 | See Source »

...pictures under the painting." He claims he has even placed some watercolors in metal tubes and buried them. "I think of Captain Kidd's buried treasure. They may find it and they may not." But Wyeth had never buried a treasure so rich, or for so long, as the Helga booty. According to one source, the artist would roll a Helga picture inside some other work, then transport it to a climate-controlled vault at the Brandywine River Museum in Chadds Ford; only he had the key. Somehow he managed to keep model and wife completely apart. Though Helga...

Author: /time Magazine | Title: Art: Andrew Wyeth's Stunning Secret | 8/18/1986 | See Source »

During the 15 years, he had been finishing and selling other paintings at his usual rate of two or three temperas a year. He had even allowed hints of the Helga collection. Various friends now believe they saw one or another of the paintings. In 1980 The Knapsack was used on a poster to promote a French exhibition of Wyeths. Three of the Helgas were sold in recent years to various collectors, and he gave Lovers to Betsy in 1982, though she did not realize it was part of such a vast collection...

Author: /time Magazine | Title: Art: Andrew Wyeth's Stunning Secret | 8/18/1986 | See Source »

...moment ignore the tattle, forget the blurbs and look at the pictures. The hubbub of controversy is stilled in the silence that these disquieting portraits demand. Imputations of Wyeth's motives are lost in the dark nexus where passion meets craft. Speculation on the course of his relationship with Helga turns to fascination with the development of graphic ideas and emotions in studies for final works. In the first sketch for Overflow, Helga is a thin, pretty, sleeping girl; the suggestive lines idealize her. And yet she breathes with youth and possibility. When the series is fleshed out, weight...

Author: /time Magazine | Title: Art: Andrew Wyeth's Stunning Secret | 8/18/1986 | See Source »

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