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Word: helgas (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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ADMINISTRATION: Daniel M. Rubin, Donald Sweet, Alan J. Abrams, Denise Brown, Teresa A. Foster, Helga Halaki, Margaret G. Haudek, Katharine K. McNevin, Rafael Soto, Elizabeth M. Waite, Carrie Ross Welch...

Author: /time Magazine | Title: Time Magazine Masthead September 28, 1987 | 9/28/1987 | See Source »

ADMINISTRATION: Daniel M. Rubin, Donald Sweet, Alan J. Abrams, Denise Brown, Teresa A. Foster, Helga Halaki, Margaret G. Haudek, Katharine K. McNevin, Rafael Soto, Elizabeth M. Waite, Carrie Ross Welch...

Author: /time Magazine | Title: Time Magazine Masthead September 14, 1987 | 9/14/1987 | See Source »

ADMINISTRATION: Daniel M. Rubin, Donald Sweet, Alan J. Abrams, Denise Brown, Teresa A. Foster, Helga Halaki, Margaret G. Haudek, Katharine K. McNevin, Rafael Soto, Elizabeth M. Waite, Carrie Ross Welch...

Author: /time Magazine | Title: Time Magazine Masthead | 8/17/1987 | See Source »

...time is past when one could dismiss Wyeth as nothing more that a sentimental illustrator, as critics irked by his popular appeal regularly did a decade or more ago. True, his work is grounded in illustration and often fails to transcend it. Not a few of the images of Helga lying naked on a bed or tramping resolutely through the snow in her Loden coat have the banal neatness of things done for a women's magazine. Some of them, like the technically impressive watercolor In the Orchard, 1974, are as deadly in their "sensitiveness" as greeting cards. But there...

Author: /time Magazine | Title: Art: Too Much of a Medium-Good Thing | 6/1/1987 | See Source »

...Soviet Union, no doubt because his version of American landscape (bare birches, patches of snow, brown stubble, rocks and iced-up puddles, all under a white sky) looks so like Siberia. To gauge how the roots of his imagination go, one need only compare his painting of the nude Helga with a black ribbon round her neck, face averted, floating in a soup of dark shadow, with the work on which it is based: Manet's Olympia. There, one has all the contrast between what is deep and what is genteel, between brazen, ironic intelligence and mere sensibility, between...

Author: /time Magazine | Title: Art: Too Much of a Medium-Good Thing | 6/1/1987 | See Source »

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