Word: hell
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Dates: during 1930-1939
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...suffering Mr. White limped, game to the last, into the Princeton dressing room, the local genius presiding over the white rags and smelly fluids threw up his hands in despair. "Who the hell did that?" quoth he, and forth-with ripped the bandages from our feebly protesting star and tied him up with the Princeton half-hitch. That was all very well until, after the squad hit Cambridge again, our hero, smiling through his tears, visited Dillon Field House to have some attention paid to the injured member. A cry of disgust rent the air. "Who the HELL did that...
There is no second class race, but all the skiers are joining the party under Proctor's guidance. They are going to spend a day each on the Wild Cat, the Taft, and the Hell's Highway trails...
Over the icy concrete runways of Brooklyn's Floyd Bennett Field one day last week streaked a shiny new sedan with a professional "hell driver" at the wheel. While police and safety officials held their breath the car hurtled over six-inch railroad spikes at 60 m.p.h., had its rear tires slashed by automatic knives. What made the demonstration remarkable was that after the blowouts the car did not swerve dangerously but was brought safely to a stop under full control...
...patina of spurious patriotism which helps sell it to the public. In Devil Dogs, first Cosmopolitan production released since the Hearst cinema producing organization was transferred from Metro-Goldwyn-Mayer to Warner, these advantages, combined with some of the most exciting stunt flying seen in the cinema since Hell's Angels, were correctly deemed sufficient to compensate for the lack of anything which might be construed as an original narrative. Best shot: an aviator purporting to be James Cagney, but actually one of the anonymous stunt flyers who helped make Devil Dogs, impudently bouncing his plane over the ambulance...
...Devil Dogs of the Air," a story of the United States Marines, you'll find to be done much in the style of such cinemas as "Here Comes the Navy," "Hell-Divers," and those others which have to do with goings-on in Uncle Sam's fighting forces and whose equipment and scenery are the real McCoy. Many are the aesthetically beautiful and photographically magnificent shots to be found in the film, while certain other scenes and bits of action hark back to the old "thrillers" in their more daringly tense moments, but which, on the other hand, are strictly...