Word: hell
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Dates: during 1970-1979
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...former student of Herbert Marcuse at the University of California at San Diego, I remember his walking into class one day in 1969, wearing a button given to him by the conservative Young Americans for Freedom. The button read: TO HELL WITH COMMUNISM! Marcuse remarked to the class, "The reason I'm wearing this button is because I agree with it. I'd rather go to hell with Communism than to live here without...
...modern human-potential movement. Though The Ten Commandments and Remarkable Men are theologically antithetical, they are cinematic first cousins. Both films suffer from an excess of piety, a shortage of humor and an infatuation with desert vistas. Still, DeMille's muscular, campy Moses (Charlton Heston) is a hell of a lot more fun than Brook's wimpy, self-effacing Gurdjieff (Dragan Maksimovic). Human saintliness plays better on the big screen when it is accompanied by thunder and lightning. Brook's film is based on the mystic's autobiography. The tale begins in a small town...
...hell is Rula Lenska?" The question was first asked on the air by Detroit TV News Anchorman Don Lark, then echoed in print by Washington Post Columnist Roger Rosenblatt. She is, as many TV watchers know, a glamorous redhead who appears regularly in commercials for Alberto VO5 hair spray. She tosses her long locks, identifies herself as R-u-ula Lenz-z-zka and speaks of herself as though she were a famous actress. But, as the newscaster asked...
...Thomas, the onetime John Boy of The Waltons. Ernest Borgnine portrays Stanislaus Katczinsky, the Polish veteran who instructs the raw army recruits. Borgnine and the rest of the cast had to take gamma globulin shots to protect themselves against a countrywide epidemic of a hepatic disease. Location shooting is hell...
...real sadness of the movie, however, is not that Kurtz eludes Coppola's grasp, but that Viet Nam does. In its cold, haphazard way, Apocalypse Now does remind us that war is hell, but that is not the same thing as confronting the conflicts, agonies and moral chaos of this particular war. Yet, lest we lose our perspective in contemplating this disappointing effort, it should be remembered that the failure of an ambitious $30 million film is not a tragedy. The Viet Nam War was a tragedy. Apocalypse Now is but this decade's most extraordinary Hollywood folly...