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World War II gave some American writers images that burned deep to the core of their work and became, sometimes, its chief theme: the bombing of Dresden for Kurt Vonnegut (Slaughterhouse-Five), the contradictory lunacies of command for Joseph Heller (Catch-22). This scarcely ever happened to American painters or sculptors. But to one in particular it did. It was war, as much as anything else, that made an artist out of H.C. (Horace Clifford) Westermann Jr., that imbued him with raucous suspicion of the "normal" life he was supposed to be defending and filled him with horrible sights...

Author: /time Magazine | Title: Art: The Aesthete As Popeye | 8/13/2001 | See Source »

...Jenny E. Heller ’01, an English and French literature concentrator in Lowell House, was associate managing editor of The Crimson...

Author: By Jenny E. Heller, | Title: Establishment and Revolution | 6/5/2001 | See Source »

...greatest problem with this production is its shallowness; it never attempts to go beyond the fairy tale. Whereas Sondheim puts a complex show with complex characters and meaningful themes in the style of a children’s entertainment, this production, under the direction of Sara B. Heller ’02, captures none of the sophistication or moral ambiguity of the material. It is children’s entertainment. Clear choices about characters’ motivations and rationality don’t register. Instead, the audience is left with gimmicks and inappropriately one-note performances...

Author: By Adam R. Perlman, CONTRIBUTING WRITER | Title: Lost In the Woods | 5/4/2001 | See Source »

directed by Sara Heller...

Author: By Adam R. Perlman, CONTRIBUTING WRITER | Title: Lost In the Woods | 5/4/2001 | See Source »

...anyone check the Widener stacks?” asked Jenny E. Heller ’01. “It’s easy to get lost in there...

Author: By Soman S. Chainani, CRIMSON STAFF WRITER | Title: Soman's In the (K)now | 5/4/2001 | See Source »

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