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Word: helling (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Obviously, Maria does not go through these Stanislavskian contortions for the histrionic hell of it. She finds that they give her a more immediate experience of how it feels to be the person she is portraying. As Maria explains her method and her goal: "I drive to the center of the being I must become, until I know it as I know my own. But more than that. I want the parts I play to represent not one woman, but all women, The Woman. I am trying to separate truth from reality. There are millions of leaves, each in itself...

Author: /time Magazine | Title: Cinema: The Golden Look | 12/30/1957 | See Source »

...freedom of the press in these parlous times means handing out information to Russia and the rest of the world on what our military is going to do before it has done it, then to hell with the press...

Author: /time Magazine | Title: Letters, Dec. 23, 1957 | 12/23/1957 | See Source »

...since. As it turned out, Siple's buoyant personality proved as valuable as his scientific knowledge. He ran a surprisingly contented camp despite the little group's isolation, and the wearing, jet-black night of winter that was four months long. Siple's formula: work like hell most of the time; be pleasant to everyone all of the time...

Author: /time Magazine | Title: Science: Life in the Deep Freeze | 12/23/1957 | See Source »

...parent could bring home to his child a copy of John Cotton's Spiritual Milk for Boston Babes in either England, drawn out of the Breasts of Both Testaments for their Souls' Nourishment. A question-and-answer catechism, written by the grandfather of Boston's famed hell-fire-and-brimstone Preacher Cotton Mather, Spiritual Milk was designed to edify and scare the daylights out of colonial moppets, e.g.: "Q. What is your corrupt nature? Answ. My corrupt nature is empty of Grace, bent unto sin, and onely unto sin, and that continually." It ended with the threat...

Author: /time Magazine | Title: Books: The Grinch & Co. | 12/23/1957 | See Source »

Kraft Theater: Farley Granger was chasing Julie Wilson around the dress racks, but it was almost too dark for him to see her. "I must kill you," he snarled, a 2-ft. flashlight swinging ominously from his hand. "And all the bells in hell can ring, but they can't stop me." Then the script, something called Come to Me, by Robert Crean and Comic Peter Lind Hayes, called for tool Julie to "gasp audibly" and for demented, drifting Farley to "move forward catlike, impressed with his cleverness," shouting in a "lyric brogue": "There's a radiance...

Author: /time Magazine | Title: Television: Review | 12/16/1957 | See Source »

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