Search Details

Word: helling (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
Sort By: most recent first (reverse)


Usage:

...full fury on D-day on the beaches of Normandy. Reagan will be there this week to look and listen and try to understand what it must have been like to fight there, what it must have meant to a President to order young men into the jaws of hell...

Author: /time Magazine | Title: The Presidency by Hugh Sidey: Remembering the Sacrifices of D-Day | 6/11/1984 | See Source »

...bring about the sweeping changes in Harvard's administration they are often given credit for. He says an administrative reshuffling was needed anyway and that they just accelerated the process. Most issues and decisions are still tackled in the same careful style. "I don't think a hell of a lot was accomplished by all that churning around," he says...

Author: By John F. Baughman, | Title: Keeping Their Hands In | 6/7/1984 | See Source »

...afternoon he led about 100 people down John F. Kennedy Street to the Yard with flags and balloons and treated them to a peripatetic performance of Vladimir Mayakovsky's Communist fable Mystery-Bouffe. By the end of the odyssey, the "audience"--nearly indistinguishable from the cast--had been through Hell (the Freshman Union) and Heaven (the steps of Widener Library) before achieving technological apotheosis in the Promised Land, which turned out to be the Science Center...

Author: By Amy E. Schwartz, | Title: The two masks of Harvard drama | 6/7/1984 | See Source »

...says Auchincloss, "There weren't hell of a lot of women crawling through windows "Hawkins agrees. "It was much more special to call up a Radcliffe woman for a date then than it must...

Author: By Richard J. Appel, | Title: 25th Reunion Group Recalls Harvard Variety | 6/5/1984 | See Source »

James Reston Jr., a journalist who chronicled the Jonestown story in his 1981 book Our Father Who Art in Hell, collaborated on the drama with Trinity Artistic Director Adrian Hall. The result is a some times unwieldy mélange of docudrama, sociological argument, fragmented monologues and musical interludes. This stylization moves the play closer to Brechtian irony than to Greek tragedy. Jones, played with grim conviction by Richard Kneeland, is not a satanic Pied Piper but a drug-addicted preacher with delusions of grandeur. His followers are not pathetic flotsam but all too recognizable products...

Author: /time Magazine | Title: Theater: Guyana Trip | 6/4/1984 | See Source »

Previous | 131 | 132 | 133 | 134 | 135 | 136 | 137 | 138 | 139 | 140 | 141 | 142 | 143 | 144 | 145 | 146 | 147 | 148 | 149 | 150 | 151 | Next