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Word: helling (lookup in dictionary) (lookup stats)
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Last week United Airlines Flight 826 from Tokyo experienced this special brand of aviation hell, leading to 83 injuries and one death. Though life-threatening turbulence happens far less often than the mild rumbles most flyers experience, it is still all too common. On average, 17 U.S.-based planes get slapped around enough to cause injuries each year; between 1980 and 1995, 129 people were seriously hurt, two fatally...

Author: /time Magazine | Title: Heading Into Thick Air | 1/12/1998 | See Source »

...borrow the rant of Network's furious prophet of the little screen, Howard Beale: "I'm as mad as hell, and I'm not going to take this anymore...

Author: By Nicolas R. Rapold, CRIMSON STAFF WRITER | Title: B-Movie Heroine Chic: Tarantino's Hyper-Hip Brew Potent No More | 1/9/1998 | See Source »

Where to start? Here's the short version: Deconstructing Harry, the new movie from writer-director-actor Woody Allen is a) very funny, b) very unfunny, c) very personal, d) strangely detached, e) dense as hell and f) strangely unsatisfying. Here's the long version...

Author: By Jordan I. Fox, CRIMSON STAFF WRITER | Title: Deconstructing Allen's 'Harry' | 1/9/1998 | See Source »

...Very funny. Woody's still Woody, and as such, Deconstructing Harry is not without its moments. Late in the film comes a brilliant, enormously funny sequence in which Harry descends into Hell for a chat with the Devil (Billy Crystal, having the time of his life)--who, incidentally, is an old friend who stole Block's nubile young student-girl-friend (Elisabeth Shue '88). Most of the humor here is fresh, dead-on and perfectly timed. From the miscellaneous tortured souls ("What did you do?" "I invented aluminum siding") in the netherworld to its wonderfully nefarious ruler...

Author: By Jordan I. Fox, CRIMSON STAFF WRITER | Title: Deconstructing Allen's 'Harry' | 1/9/1998 | See Source »

...Dense as hell and strangely unsatisfying--Deconstructing Harry is a long 89 minutes. Jam-packed with tons of characters, more vignettes than Short Cuts and loads of references to Allen's previous movies, the film never sits still-but it never really goes anywhere, either. For all of its stylistic variety and experimentation--the Peter Greenaway-esque Hell sets, jarring time shifts, jump cuts and film loops--the film leaves the viewer with a feeling of emptiness. It touches upon all of the classic Allen themes, but in its hurry to make an all-emcompassing (and, in the end, annoyingly...

Author: By Jordan I. Fox, CRIMSON STAFF WRITER | Title: Deconstructing Allen's 'Harry' | 1/9/1998 | See Source »

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