Word: hellings
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...what truly involves the reader with Jake is O'Nan's arresting use of second person. "You like it like this, the bright languid days," the narrator instructs immediately. The reader watches Friendship through Jake's eyes; he smells death through Jake's nose. He contemplates hell through Jake's fears...
...from behind his kit to give the crowd a little bit of break dancing (so they've got other talents, too!). As the jam came to a close and DiFranco struck the first rumbling chords to "Jukebox," the audience blasted the stage with a thrilled roar. Organ? Drums? Bass? Hell, the girl with the guitar had everybody in the house behind...
...leaves his reader asking himself. "You're not sure anymore, are you?" Almost all certainties have been tossed aside. The good have gone bad; all efforts have failed. Yet there is hope, there is reassurance. "Hell is yourself, in a way." O'Nan explains. "So you always want to go back to the ones you love...
...from behind his kit to give the crowd a little bit o breakdancing (so they've got other talents, too!). As the jam came to a close and DiFranco struck the first rumbling chords to "Jukebox," the audience blasted the stage with a thrilled roar. Organ? Drums? Bass? Hell, the girl with the guitar had everybody in the house behind...
...What the hell was that slime...