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Word: hellman (lookup in dictionary) (lookup stats)
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...construction of playhouses flourishes, but the craftsmanlike hand that shapes a play is often missing. The admirable revival of Lillian Hellman's The Little Foxes at New York's Vivian Beaumont Theater in Lincoln Center last week mounts character in plot as snugly as a ship's model fits in a bottle. Her saga about the greedy success of the hard-bargaining Hubbard family in the turn-of-the-century South has survived the passage of 28 years with its power to please unsapped...

Author: /time Magazine | Title: Theater: Greedy Lot | 11/3/1967 | See Source »

...still more talked-about revival is Lillian Hellman's 1939 The Little Foxes, with Mike Nichols directing a company comprising Anne Bancroft, Margaret Leighton, George C. Scott, E. G. Marshall and Geraldine Chaplin. Not least of the season's curiosities: Soviet Playwright Aleksie Arbuzov's The Promise, the first postwar Russian work to play Broadway. Directed by Britain's Frank Hauser, it is a romance about life and love in Leningrad...

Author: /time Magazine | Title: Broadway: Good Portents | 8/25/1967 | See Source »

...THURSDAY NIGHT MOVIES (CBS, 9-11 p.m.).* Dean Martin plays it straight in Lillian Hellman's Toys in the Attic (1963), also featuring Geraldine Page, Wendy Hiller, Gene Tierney and Yvette Mimieux...

Author: /time Magazine | Title: Television: Jul. 28, 1967 | 7/28/1967 | See Source »

...witchcraft by Abigail, the depraved 18-year-old, closely parallel the response to the "Are you now or have you ever been...?" of the HUAC hearings. When, John Proctor, the play's hero, agrees to confess his own sins but refuses to "name names," he is repeating Lillian Hellman's stand before the Committee; The Crucible is a textbook of such reactions...

Author: By Tim Hunter, | Title: The Crucible | 3/24/1967 | See Source »

...past three decades, the U.S. theater has dashed from the barricade to the bedroom, from a flirtation with Marx to an infatuation with Freud. The social-protest school, including Clifford Odets, Irwin Shaw and Lillian Hellman, recessed when it lost its villain. The Depression took its critics with...

Author: /time Magazine | Title: Essay: THE MODERN THEATER OR, THE WORLD AS A METAPHOR OF DREAD | 7/8/1966 | See Source »

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