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...letter, confirming the date of the debate, Huge Hellman, head of Marquette's speech school, said "Adequate protection will be provided for the Harvard debaters...

Author: NO WRITER ATTRIBUTED | Title: Marquette to Offer Police Guards for Debate Council | 2/24/1954 | See Source »

Some of San Francisco's best financial brains are at work on the opera's board of directors. Among them: Utilities Executive Robert Watt Miller, Investment Banker Charles R. Blyth, Banker William W. Crocker, Broker Marco Hellman, Publisher (San Francisco Chronicle) George Cameron, Paper Magnate J. D. Zellerbach. These men have developed a practical method for handling annual deficits : holders of top-price season tickets (931 this year) pledge $50 each, get charged on a pro rata basis when the season's deficit is added up (last year: a nearly nominal $36,000). Cost of each year...

Author: /time Magazine | Title: Music: Merola's Requiem | 9/28/1953 | See Source »

Hunter G. Hannum, Germanic Languages and Literatures; Emanuel S. Hellman, Applied Science; John T. Hexner, Economics; Hugh F. Houston, Jr., English; Thomas W. Hoya, Government; William H. Jacobsen, Jr., Linguistics and Romance Languages; Samuel E. Karff, Social Relations; Hugh P. Kelly, Physics; Masaaki Kubo, Classics and Sanskrit; Stephen Kurzman, Philosophy; Henry J. Landau, Mathematics; Robert B. Layzer, History and Literature; Robert G. Livingston, History...

Author: By David L. Halberstam, | Title: Elmer Davis Details Threats To Survival of Civilization | 6/9/1953 | See Source »

...years ago. They labeled Regina a "musical drama," and invited the drama critics as well as the music critics to review it. The drama critics, whose notices are the ones that count at the Broadway box office, came and shook their heads; Blitzstein's musical version of Lillian Hellman's The Little Foxes seemed to them an unnecessary intrusion on a fine play. Regina ran for 56 performances, then gave...

Author: /time Magazine | Title: Music: Comeback | 4/13/1953 | See Source »

...Children's Hour (by Lillian Hellman) is still, after 18 years, vivid and powerful. Into her tale of a child's fiendish lie that shatters tbe lives of two young schoolmistresses, Playwright Hellman packed a great deal of sheer vibrant theater. But for all the child's whispered charges of Lesbianism and her grandmother's shouted ones, The Children's Hour is something more than shocking, as it is something more than tense. Despite its heightened stage qualities, it cuts sharply back into life-to the monstrous power of gossip, to the sick, psychopathic nature...

Author: /time Magazine | Title: Music: Old Play in Manhattan, Dec. 29, 1952 | 12/29/1952 | See Source »

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