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Word: hellmold (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...reconsider their strategies. Ulysses (Adam Smith Albion), a sort of Greek Henry Kissinger, formulates a plan which will serve the dual purpose of reanimating the Greeks best fighter, the now lazy and spaced-out Achilles (Patrick Bradford), as well as do away with the Trojan he-man Hector (Maja Hellmold...

Author: By Cristina V. Coletta, | Title: Shakespeare Straight & Tragic | 4/19/1985 | See Source »

...tale begins with nothing more complicated than the arrival of a new, kind, motherly governess charged with the task of looking after a charming pair of children. Margery Hellmold, with a strong, cultivated voice, rejoices in the fact that the children are so sweet, happy and loving. But we listen with a sense of forboding. For in the music there is a undercurrent of fear. And there is a sinister taint to the subtly gothic set designed by the well known author and illustrator Edward Gorey...

Author: By Anne Tobias, | Title: As the Screw Turns | 3/15/1985 | See Source »

Many non-Harvard affiliates who have performed in the past with Lowell House have come from the New England Conservatory. Hellmold, for example, is a New England Conservatory student who also performed in the Lowell House opera as a Harvard undergraduate. "It's good for the undergraduate amateurs to work with preprofessionals from the Conservatory," says Crowley...

Author: By M. ELISABETH Bentel, | Title: Lowell Dining Hall Turns into Opera House | 3/8/1985 | See Source »

...There is a dearth of performing opportunities in the Boston area," says Hellmold. "I am bridging the professional and amateur worlds, so I still do things for free like this. But any role I accept, as this one," must be dramatically challenging for me," sl adds...

Author: By M. ELISABETH Bentel, | Title: Lowell Dining Hall Turns into Opera House | 3/8/1985 | See Source »

Music for "The Turn of the Screw" is extreme difficult, the opera's participants say. "The music is not as accessible to the audience as other operas making it slightly dissonant to the audience and harder for the stagers to perform," says Hellmold. "The composer has, the singers in mind, however making, for example, the cues for the part of the 11-year-old boy easier to pick...

Author: By M. ELISABETH Bentel, | Title: Lowell Dining Hall Turns into Opera House | 3/8/1985 | See Source »

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