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Word: hellos (lookup in dictionary) (lookup stats)
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...guilty. I admit it. Somehow I'm sure we all are. I see people every day in the Eliot dining hall, in my classes, on the street. But the sight of a familiar face often just doesn't seem enough to elicit from me a simple "Hello...

Author: By Kevin S. Davis, | Title: The Cold Shoulder--Harvard Style | 2/26/1994 | See Source »

...after the notable and -- as Manfred Worner said on Wednesday evening -- "historical" decision made by NATO in Brussels, I bumped into a good friend on the street. He greeted me with a hearty, "Hello, happy fellow," quite unusual given the conditions in Sarajevo these days. It wasn't easy for him to hide the devilish cynicism in this greeting, nor could we keep from breaking up completely...

Author: /time Magazine | Title: Under the Gun in Sarajevo | 2/21/1994 | See Source »

...results are obvious. Until six or seven months ago, every true Sarajevan needed at least an hour to walk from the Holiday Inn to the cathedral. You had to stop and say hello to so many people, to ask after everyone. Now that same distance takes just 15 minutes because no one stops. No one has anything left to ask anyone...

Author: /time Magazine | Title: Under the Gun in Sarajevo | 2/21/1994 | See Source »

...ship has become "tilty." In the scene after, the streetwise youth is a dim but pretty, gay disco pickup in the '70s. This sort of inventive time bending, accompanied by a catchall range of song styles to span the century, tryst by tryst, is what makes off- Broadway's Hello Again the one interesting musical of this scratchy season and its creator, composer-librettist-lyricist Michael John LaChiusa, the big breakthrough talent...

Author: /time Magazine | Title: The Century, Tryst By Tryst | 2/14/1994 | See Source »

...Hello Again is neither as delicious to the ear nor as consistently offbeat as First Lady Suite. At its best, in the above scenes and in a desperate encounter between a Senator and a streetwalker, it attains emotional clarity and sustained surprise. The structure -- A meets B, B meets C, and so on until the last character encounters A -- comes from Arthur Schnitzler's La Ronde. In that piece, set in fin-de-siecle Vienna, sex crosses social lines, allowing commentary, and serves as a metaphor for syphilis, permitting preachment. LaChiusa resists the obvious AIDS allusion. His love connections...

Author: /time Magazine | Title: The Century, Tryst By Tryst | 2/14/1994 | See Source »

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