Word: hells
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Dates: during 1950-1959
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...songs or "The 1040 Blues." The sample jingles you quoted just about finished me. We have enough solid corn without the Administration deliberately choking us with more. If this kind of approach is tried on me (I always pay my taxes on time), the IRS can go to hell, and I will plead insanity from incessant and uncontrolled brainwash technique. The thought that they even entertained the idea is disgusting...
...This year the word on Dior is: 'The line is free, free as the Paris air . . . free from making a choice between wide and narrow . . . free to wear or not to wear . . .' " This "line" is certainly going to play hell with the falsie business...
...heard the glad tidings south of the border, wrote Pooley last week: "Mexican citizens were giving Americans abrazos [embraces]. It was the damndest thing I ever heard of." Wrote another: "I have always admired your crusade for democratic and just principles. I don't know what in hell would have happened to us Juan Smiths if it hadn't been...
...Jesse James As the Outlaw (1921), Jesse James Under the Black Flag (1921), Jesse James (1927), Days of Jesse James (1939), Jesse James at Bay (1941), Jesse James Jr. (1942), Jesse James Rides Again (1947), Jesse James' Women (1954), Jesse James v. the Daltons (1954). A coming attraction, Hell's Crossroads, was originally titled I Was Jesse James' Next Door Neighbor...
...exactly what the film means beyond "Isn't this a hell of a world" is hard to discern. Surely it points toward an assertion of freedom--man stripped bare of all sham, superstition, pride, and being forced to make decisions, and that the ways of fate and of the human psyche are unknowable and unpredictable. Yet the conclusion seems to proclaim a sort of human brotherhood that is partially alien to Satrian existentialism. On the other hand, it is quite possible the Satre views these two lonely people who find one another as asserting the same sort of freedom...