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Jesse Helms is leading a right-wing assault on the National Endowment for the Arts. But his anti-obscenity campaign threatens to stifle free expression and many worthwhile projects. -- Design flaws in nuclear warheads could have triggered an atomic disaster. -- A sweeping civil rights bill for the | disabled. -- Twenty years...

Author: /time Magazine | Title: Time Magazine Contents Page: June 4, 1990 | 6/4/1990 | See Source »

Jesse Helms knows as well as anyone in Washington how strong the know-nothing streak in America is and how to focus its rancor -- which is, in essence, what he has done with the National Endowment for the Arts. Only this can explain why thousands of people who don't...

Author: /time Magazine | Title: Whose Art Is It, Anyway? | 6/4/1990 | See Source »

The Donnybrook over the continued existence of the NEA began last year with the funding of an exhibition of Mapplethorpe's photographs, has ramified immensely since then, and is now coming to a head. Helms' pressure has already forced the NEA to make arts-grant recipients pledge that they will...

Author: /time Magazine | Title: Whose Art Is It, Anyway? | 6/4/1990 | See Source »

But if there is no longer a clear-cut Enemy at the Gates, a useful if more diffuse one can still be found at the bottom of the garden: a fairy. Such is the insight on which Jesse Helms is banking his political fortune in this Senate election year of...

Author: /time Magazine | Title: Whose Art Is It, Anyway? | 6/4/1990 | See Source »

Helms is on the losing side of most issues, and little legislation of his own gets passed, but no one could accuse him of a lack of raw populist acumen. His National Congressional Club remains one of the richest political-action committees in Washington, a direct-mail operation that pulled...

Author: /time Magazine | Title: Whose Art Is It, Anyway? | 6/4/1990 | See Source »

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