Word: help
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Dates: during 1960-1969
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ALBERT AYLER, NEW GRASS (impulse!). Alto Saxophonist Ayler uses a gospel-rock background and a group called The Soul Singers to help him get a mystical word across: "The music I bring to you is of a different dimension in my life, the message one of spiritual love, peace and understanding." The tension of his wavering whines and reedy growls is somewhat dispelled by the propelling, regular beat, making such tunes as New Generation and Everybody's Movin' an oddly felicitous blend of spiritual and material...
...supplied by London Bureau Chief Curtis Prendergast, who reported on a mountain-climbing trip with Prince Charles in Wales, and Correspondents Honor Balfour and Monica Dehn, who contributed a study of the British monarchy. The cover story was written by Bob McCabe and edited by Jason McManus, with the help of Researcher Mary McConachie. All loyal Scots by background, they brought to the story a basic sympathy for their fellow Celts...
...thought. Nixon hoped to calm the Middle East by working with the Soviets, but last week he admitted: "I see very little defusing." The Russians are evidently content not to have genuine peace between the Arab nations and Israel, but a state of controlled tension. Nixon wanted Moscow to help him get a settlement in Viet Nam by applying pressure on the North Vietnamese. Although the Russians reportedly have tried, Hanoi remains intransigent at the Paris peace talks. He also sought to reopen conversations on the status of Berlin; the Russians have not responded. While the Soviets rejected linkage...
...table-grape production have announced their willingness to negotiate with Chavez. One farm workers' organizer said: "It's so beautiful I can hardly believe it." The union quickly agreed to talk. Last week, at the request of both sides, the Federal Mediation and Conciliation Service consented to help the parties come to terms, and negotiations began in Los Angeles...
...through accident of residence, its accomplishments have become as strong a source of pride to its city as the Mercedes and Porsche automobile works located there. Like most major German cities, Stuttgart (pop. 650,000) had long maintained an opera house, with a resident but minimal ballet company to help out where needed. In 1960 John Cranko, then a 33-year-old South Africa-born staff choreographer of the Royal Ballet, staged Benjamin Britten's The Prince of the Pagodas in Stuttgart. He was immediately engaged as ballet director, with a mandate to build a company of international quality...