Search Details

Word: helpmann (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...result, Mendelssohn is more the hero of the evening than Shakespeare; Moira Shearer's dancing far surpasses any actor's speech; the ass's head that Bottom wears is more entertaining than Stanley Holloway's Bottom. Only Robert Helpmann as Oberon can render Shakespeare's diction as well as dance, can become something fleet, mischievous, magical-and believably Shakespearean...

Author: /time Magazine | Title: The Theater: Old Play in Manhattan, Oct. 4, 1954 | 10/4/1954 | See Source »

Lilli Palmer Show (Sun 2:45 p.m., CBS). Dancer-Actor Robert Helpmann on "Nijinski and the Ballet...

Author: /time Magazine | Title: RADIO: Program Preview, Apr. 13, 1953 | 4/13/1953 | See Source »

Poison Speech. Minor roles at the Oxford Playhouse followed. Claire tried out for Webster's The White Devil, which was being put in production by Michael Benthall and Robert Helpmann. Says Benthall: "Suddenly, this little girl appeared and did the poison speech from Romeo and Juliet. She looked enchanting. More important, she had extraordinary technical equipment." The cast was already filled, but Benthall and Helpmann invented a new walk-on part so that they could keep an eye on Claire. When they took over the 1948 Shakespeare season at Stratford-on-Avon, Claire went along...

Author: /time Magazine | Title: Cinema: She Knew What She Wanted | 11/17/1952 | See Source »

...opening night of the Technicolored The Tales of Hoffmann in London's Carlton Theater, Dancing Star Robert Help-mann was presented to 83-year-old Queen Mary, who said graciously, "I think the film is very beautiful, and I particularly liked your voice." Replied Helpmann with a bow, "I wish it were my own," humbly explained to Her Majesty that the singing voices had been dubbed...

Author: /time Magazine | Title: People: Postscripts & Afterthoughts | 4/30/1951 | See Source »

...Burning) Brown is made to look like a shorn Harpo Marx so that she can play Hoffmann's male companion. Even the performers who appear to advantage represent a disturbing clash of acting styles, e.g., Singer-Actor Rounseville plays for movie naturalism, while Actors Robert Helpmann and Leonide Massine, who are ballet dancers with little dancing to do, go in for stylized operatic mugging...

Author: /time Magazine | Title: Cinema: Import, Apr. 23, 1951 | 4/23/1951 | See Source »

| 1 | 2 | 3 | 4 | 5 | 6 | Next