Word: helpmann
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...masculine side the company was weaker. At 40, Choreographer-Dancer Robert Helpmann seemed past his prime as a soloist-although as a danseur noble he showed off the sparkling Fonteyn like a diamond ring. Handsome Michael Somes, 32, had had his career interrupted by four years in the British army during...
Castles & Caves. U.S. ballet fans, awaiting the arrival of the English company, had been eager to see Sadler's Wells' modern English ballets-with choreography by De Valois, Helpmann and Frederick Ashton. Among the best of these were De Valois' animated chess game, Checkmate, her Rake's Progress (after Hogarth's famous drawing sequence) and Ashton's gay Wedding Bouquet and impish Façade (to music by William Walton). They were performed with a brittle wit and a steely stylishness...
...only the last part is familiar to most U.S. fans), audiences sat enthralled while Princess Aurora was christened, cursed by the wicked fairy, and put into the long sleep from which she is awakened by the prince's kiss. The third-act duet by Fonteyn, the princess, and Helpmann, the prince, never failed to stop the show. In Swan Lake, few fans had ever seen anything so magnificent as Margot (Queen of the Swans) and her flock (the corps de ballet) huddling and quivering in terror before the evil magician...
...married to a Briton who brought her out of Moscow after World War II. The two stars with the brightest shine were born in Surrey and Fifeshire: dark-haired Margot Fonteyn (TIME, April 15, 1946) and red-haired Moira (The Red Shoes) Shearer. The leading male dancer, Robert Helpmann, is somewhat of a foreigner-from Australia. Chief Choreographer Frederick (Cinderella, Facade) Ashton was born in Ecuador of British parents. Some of the ballets had unmistakably British subjects, among them The Rake's Progress (De Valois) and Hamlet (Robert Helpmann...
...Petipa ballet The Sleeping Beauty. Few could say they had ever seen a more lavish spectacle and dancing grace on a U.S. ballet stage. It took Conductor Constant Lambert a full five minutes to get the music in motion again after the thunderous ovation for Margot Fonteyn and Robert Helpmann's third-act pas de deux...